For centuries, landscape was usually seen as a backdrop in history or religious paintings, but British Landscapes: A Sense of Place at the Pallant House Gallery in Chichester shows how it evolved as a genre in its own right. And in particular, how artists in the 18th, 19th and 20th centuries were not just reproducing a scene before their eyes but trying to convey in their pictures the emotions and feelings evoked by the land and countryside: the sense of the place, as Pallant Director Simon Martin, who c urated this exhibition, aptly describes it. The show's not on for much longer, but here's a few of our impressions, and let's start with a painting that's a fine example of how an artist puts current events and concerns on canvas. It was December 1916 when Mark Gertler painted this view of the South Coast Near Swanage . It looks so peaceful, the sea is smooth, the distant cliffs of the headland appear soft and even the nearby greenery is out of focus. But W...
Which exhibition are we most looking forward to this month? It has to be Frans Hals at the National Gallery in London, which starts on September 30. It's the first major retrospective of the great portraitist of the Dutch Golden Age in three decades, and it will assemble around 50 of his works, including a couple of his large-scale group portraits of militiamen from the Frans Hals Museum in Haarlem and the Rijksmuseum in Amsterdam. A must-see, particularly if you missed the fantastic show focusing on Hals's male portraits at the Wallace Collection a couple of years back. All that swaggering loose -- or even louche -- brushwork is on display at the National Gallery until January 21, before transferring to the Rijksmuseum in February and then the Gemäldegalerie in Berlin in July. Hals was originally from Antwerp, and it was in the Flemish port city that his close contemporary Peter Paul Rubens spent much of his life and career. The new exhibition at Dulwich Picture Gallery i...