So the question to ask about the Michaelina Wautier exhibition at the Royal Academy in London must be: Is the hype about this recently rediscovered 17th-century woman painter justified? The answer: Yes, absolutely. She really does merit acknowledgement -- and not just because we recognise a woman working in a man's world. Her art shows she was extremely talented, producing superb canvases covering a diverse range of subject matter. What's more, she painted very large pictures featuring male nudes, such as Bacchus, despite her contemporaries thinking that was not the sort of thing a female artist could do. And her portraits are wonderfully lively and lifelike. This is Martino Martini, an Italian Jesuit missionary who travelled to China in the 1640s. It was painted in 1654, when Michaelina was around 40. Martini, who was staying at the Jesuit College in Brussels, is depicted wearing traditional Chinese silk court attire and a hat of fur and feathers. A rather substantial...
Which exhibition are we most looking forward to this month? It has to be Frans Hals at the National Gallery in London, which starts on September 30. It's the first major retrospective of the great portraitist of the Dutch Golden Age in three decades, and it will assemble around 50 of his works, including a couple of his large-scale group portraits of militiamen from the Frans Hals Museum in Haarlem and the Rijksmuseum in Amsterdam. A must-see, particularly if you missed the fantastic show focusing on Hals's male portraits at the Wallace Collection a couple of years back. All that swaggering loose -- or even louche -- brushwork is on display at the National Gallery until January 21, before transferring to the Rijksmuseum in February and then the Gemäldegalerie in Berlin in July. Hals was originally from Antwerp, and it was in the Flemish port city that his close contemporary Peter Paul Rubens spent much of his life and career. The new exhibition at Dulwich Picture Gallery i...