It might seem a bit odd travelling to Madrid to see an exhibition by a Scandinavian artist.... but the Swede Anders Zorn made the journey to Spain nine times in his career. He wasn't a painter we'd been familiar with, the Swedes lagging some way behind their Nordic neighbours in our art explorations; we'd been intrigued by the idea of seeing a retrospective of his work in Hamburg late last year but didn't make it, so we seized the chance to view the same show at the Mapfre Foundation in Madrid under the title Anders Zorn: Travelling the World, Remembering the Land . Zorn, who lived from 1860 to 1920, was a big name in his day, and it's easy to appreciate why from this exhibition. He had fantastic technique and worked in a broad range of genres, famed particularly for his portraiture. But he's quite difficult to pigeonhole, and as for some of his early subject matter, it really is rather sickly sweet. As the exhibition title spells out, Zorn explored the worl...
When she was alive, Gwen John was a big name in the art world, a really big name. As we learn at the start of Gwen John: Art and Life in London and Paris at Pallant House Gallery in Chichester, her pictures were so admired in France in the 1920s that "everyone knows of Miss John.... and the Salon takes all she will send them." But after her death at the start of World War II, John gained a reputation as something of a recluse, an artist who'd worked in isolation, and she was outshone by her flamboyant brother Augustus. This show in Chichester restores Gwen to her rightful position in art history, placing her squarely among a group of groundbreaking turn-of-the-century artists including Edouard Vuillard , Pierre Bonnard and her lover Auguste Rodin, for whom she posed. This is a captivating exhibition. John's paintings -- largely portraits and interiors -- are not loud or showy; they're incredibly restrained, with their muted tones and soft brushwork conveyi...