We must confess that religious paintings are not our favourite subject, and we've tended to regard Spanish Catholic art as being, well, just a little too religious to cope with. So we approached the Francisco de Zurbarán exhibition at the National Gallery in London with a certain amount of trepidation. A degree of contrition is due.... Yes, there were monks, altarpieces and lots of saints, but we were blown away by Zurbarán's ability to depict textures and fabrics and to convey an intensity of feeling. It's an absolutely excellent exhibition, full of truly beautiful paintings. Such religious art was intended to bring the faithful closer to God, to bridge the gap between Heaven and Earth, in an age when many could not read. Zurbarán was a master at it. Let's start with a saint: Just take a look at the fabrics, trimmings and gems in this picture. And the garments are even more striking when you are stood in front of this nearly life-size figure. This is Casild...
The big new show in London this month is Donatello: Sculpting the Renaissance at the Victoria & Albert Museum, starting on February 11. Donatello created a revolution in sculpture in 15th-century Florence, and this show, with some 130 objects, includes much work that has never been seen in the UK before. It's the last in a series of interlinked exhibitions following shows in Florence and Berlin that were highly praised. On until June 11. The Ashmolean Museum in Oxford takes us to ancient Crete beginning on February 10 for Labyrinth: Knossos, Myth & Reality . The palace of Knossos was the centre of the Bronze Age Minoan civilization, and legend had it that an enormous labyrinth was built there to hold the Minotaur, a creature half-man, half-bull. This exhibition includes more than 100 objects that have never left Greece before as well as two immersive experiences. It runs until July 30. Curiously, the new show at the Fitzwilliam Museum in Cambridge is also about the a...