There's no denying it: Bridget Riley's art has a physical effect on you. So much so that gallery attendants at Turner Contemporary in Margate for Bridget Riley: Learning to See have been advised to avert their eyes from the paintings regularly. Stand in front of those curves and waves, or the precise narrow brightly coloured vertical stripes that fill some works, and you may feel you are swaying. You become slightly dizzy or a little queasy, even perhaps a bit seasick; well, it can get pretty choppy out there on the North Sea, just beyond the gallery walls. Nothing too alarming or extreme, though; it's just a perception. When we went to see this Bridget Riley show w e knew what to expect, having been in July 2019 to the blockbuster exhibition at the Scottish National Gallery in Edinburgh that brought together half a century of pictures in a dazzling extravaganza of Op Art abstraction. It moved to the Hayward Gallery in...
Compiling this preview of new exhibitions for November, we're filled with the foreboding that quite a few may not actually open, at least not as scheduled, given the way the coronavirus pandemic is developing. Some shows that were due to open their doors have already been delayed. It seems right to start, then, with what the Royal Academy in London describes as an exploration of grief, loss and longing through dark territories and raw emotions. Tracey Emin/Edvard Munch: The Loneliness of the Soul finds Emin, who's long been fascinated with the Norwegian, selecting some 20 of his works from the Munch Museum in Oslo to sit alongside 25 of her own. On from November 15 to February 28, and then moving to the sparkling new Munch Museum , which opens in Oslo in the spring. A new show at Tate Britain features the paintings of contemporary British artist Lynette Yiadom-Boakye. Fly in League with the Night brings together about 80 works and will run from November 18 ...