Opening and Reopening in August

Frida Kahlo: Now, there's a name to be reckoned with. More than just a painter, a global phenomenon, a superstar who died too young. And so coming to Tate Modern on June 25 we have Frida: The Making of an Icon , surely set to be one of the most in-demand tickets in London this year. It's not so much a show about Frida, though, as about the cult of Frida: More than 30 of her works are accompanied by some 200 by contemporaries and those from later generations whom she inspired, and then there are over 200 objects exploring "Fridamania". The show had good reviews when it was on at the Museum of Fine Arts in Houston, and you've got until January 3 to catch it at the Tate. While we're on the subject of mid 20th-century female icons whose candle burned out long before their legend ever did.... Marilyn Monroe: A Portrait starts at the National Portrait Gallery on June 4. The Hollywood star would have been 100 years old this year, and this show, running until Sept...

Opening and Reopening in August

August is normally a thin month for new exhibitions, but as more and more museums and galleries open up again to the public, August 2020 will be rather busier than normal.

In London, the Royal Academy gives a new lease of life to one show that was interrupted by the coronavirus lockdown and celebrates the delayed start of another.

The interrupted show looks at Léon Spilliaert, an artist whose finest work stems from his years at home in Ostend at the start of the 20th century, wandering the Belgian port city at night, haunted by insomnia and stomach troubles. It was the last exhibition we reviewed before lockdown, and Spilliaert really couldn't be a better symbol for social distancing, pictured alone in his studio or capturing the eeriness of deserted streets or beaches. August 5 to September 20.

Two days after the Spilliaert show restarts, the RA welcomes Gauguin and the Impressionists: Masterpieces from the Ordrupgaard Collection in Denmark, which is currently undergoing renovation. There are 60 works on show, with Monet, Manet, Degas, Renoir, Pissarro and Morisot among the other artists represented. This exhibition runs until October 18. Royal Academy opening hours are currently severely restricted, and with the number of visitors allowed in per hour limited, tickets for both these shows will be scarce.

On August 10, the Ashmolean Museum in Oxford will be reopening, with limited tickets available for Young Rembrandt, the story of how an initially not particularly brilliant young artist from Leiden worked his way to the very top. Seeing Rembrandt blossom into one of the greatest painters of all time makes for an absolutely absorbing exhibition; we thought it was the best thing we saw in all of 2019 when we caught it in Leiden in the autumn. The run in Oxford will continue until November 1.

At the Pallant House Gallery in Chichester, the doors open to the public again on August 5, allowing for the resumption of Barnett Freedman: Designs for Modern Britain, a look at one of the most prominent commercial designers of the middle of the 20th century. Freedman worked on posters, stamps and book covers, and this is the first major retrospective for more than 60 years, running till November 1.

One of the most striking works of art produced in 1920s Germany is Ernst Barlach's Floating Angel, a mesmerising bronze sculpture that we were lucky enough to see in the Tate's show on the Aftermath of World War I a couple of years ago. Now the Albertinum in Dresden is staging the first ever comprehensive overview of Ernst Barlach on the 150th Anniversary of his Birth, with a focus on his wood carving. It's on from August 8 to January 10.

From the Albertinum in Dresden to the Albertina in Vienna, where the curtain goes up on August 27 on Van Gogh, Cézanne, Matisse: The Hahnloser Collection, featuring about 120 works from one of the most important private assemblies of late 19th- and early 20th-century French art. The renovation of the collection's normal home in Winterthur in Switzerland offers the Austrian capital a chance to admire paintings by the likes of Vuillard and Bonnard as well as outstanding Swiss painters such as Ferdinand Hodler and Félix Vallotton. The Vienna show runs until November 15.

Of course, you may be asking yourself, is it safe to actually go and see an exhibition? Maybe you're better off just going for a drive. The Dutch have the answer: a pop-up show in Rotterdam, the Boijmans Ahoy Drive-Thru Museum. The venue is the Ahoy conference and event centre (site of this year's cancelled Eurovision Song Contest), the art is from the Boijmans van Beuningen museum, currently undergoing a makeover. You book a timeslot in an electric car and drive at minimal speed round a vast exhibition hall to see around 50 artworks, with Oskar Kokoschka and Anselm Kiefer among those featuring. August 1-23.

Last chance to see....

Still on at the Mauritshuis in The Hague until August 30: George Stubbs -- The Man, the Horse, the Obsession, showing how Stubbs became the most celebrated painter of horseflesh in England and featuring the first ever appearance of his masterpiece, Whistlejacket, in mainland Europe. This is a smaller version of the hugely impressive show we saw in Milton Keynes last year.

Do check museum websites for booking details, opening times and conditions of entry, as these vary greatly.

Images

Rembrandt van Rijn, Self-Portrait in a Cap, Open-Mouthed, 1630, Ashmolean Museum, University of Oxford

What's On in 2026

Coming up in 2026: Lots more big exhibitions starring women artists, including Frida Kahlo, Leonor Fini, Leonora Carrington and Gwen John , as well as a host of names from the 17th-century Low Countries. And women almost certainly embroidered the Bayeux Tapestry, a contender for this year's hottest ticket in London. Here's a selection of shows that have caught our eye around Britain and Europe, in more or less chronological order; as ever, we make no claim to comprehensiveness, and our choice very much reflects our personal taste. January We'll start the year at the Fondation Beyeler on the outskirts of Basel, where they're devoting an exhibition to Paul Cezanne . Focusing on the artist's later years, the show will bring together some 80 oil paintings and watercolours. January 25 to May 25. February Two leading British women artists feature in exhibitions opening this month, with the National Museum in Cardiff honouring the best-known female painter Wales has pr...

The Highs and Lows of the Nahmad Collection

It's widely referred to as the world's most valuable private art collection : the one assembled over decades by the Nahmad brothers, dealers Ezra and David . Worth an estimated $3 billion or more, it's said to include hundreds of Picassos. Some 60 works from it are now on display at the Musée des impressionnismes in Giverny as The Nahmad Collection: From Monet to Picasso . Intended, apparently, to demonstrate how art developed from the early 19th century through Impressionism and on to the start of the modern era, towards the liberation of colour and form, this is an exhibition that ends up coming across as somewhat incoherent. We're not really told much about the Nahmads or their collecting choices -- and as you search the Internet, things become slightly mysterious: Is Ezra alive or dead? The art, presumably, is supposed to speak for itself, but it's a rather eclectic, if not confusing, selection; some of the works are fantastic, some are distinctly ho-hum. Let...

Carrington: You've Met Leonora, Now Discover Dora

Carrington: She only wanted to be known by her surname, unwittingly posing a conundrum for art historians, curators and the wider world a century later. Because it's another somewhat later Carrington, the long-lived Surrealist and totally unrelated, who's recently become Britain's most expensive woman artist. But today we're at Pallant House Gallery in Chichester to see an exhibition not about Leonora but about Dora Carrington. She hated that name Dora -- so Victorian -- but with Leonora so much in the limelight (and the subject of a recent show at Newlands House in Petworth, just a few miles up the road), the curators at the Pallant didn't have much option, so they've had to call their retrospective Dora Carrington: Beyond Bloomsbury . Leonora was a bit of a rebel, as we found out in Petworth. Dora too. But we ought to respect her wish. Carrington, then, has been a bit neglected recently; this is the first show of her works in three decades. And while ther...

The Art Exhibitions Blog

Search This Blog

New Exhibitions in June

Subscribe to updates

Get new posts by email: