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'Too Bold to Have Been Painted by a Woman'

So the question to ask about the  Michaelina Wautier  exhibition at the Royal Academy in London must be: Is the hype about this recently rediscovered 17th-century woman painter justified? The answer: Yes, absolutely.  She really does merit acknowledgement -- and not just because we recognise a woman working in a man's world. Her art shows she was extremely talented, producing superb canvases covering a diverse range of subject matter. What's more, she painted very large pictures featuring male nudes, such as Bacchus, despite her contemporaries thinking that was not the sort of thing a female artist could do. And her portraits are wonderfully lively and lifelike. This is Martino Martini, an Italian Jesuit missionary who travelled to China in the 1640s. It was painted in 1654, when Michaelina was around 40. Martini, who was staying at the Jesuit College in Brussels, is depicted wearing traditional Chinese silk court attire and a hat of fur and feathers. A rather substantial...
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Ukrainian Art Heads West

As war continues to rage in Ukraine, the country's art galleries have sent some of their prized works to safety in western Europe, and they'll be on show over the winter in exhibitions in Switzerland and Spain.  

More than 100 pictures from Kyiv's National Art Gallery, formerly known as the Kyiv Museum of Russian Art, will be on display at both the Kunstmuseum in Basel and the Musée Rath in Geneva. The Kyiv gallery, one of Ukraine's biggest, has been marking its centenary this year. It suffered damage in a Russian rocket attack and approached the Kunstmuseum in the spring seeking temporary homes for some of its collection of over 14,000 works. 

The show in Basel, entitled Born in Ukraine, runs until April 30 and features 63 paintings by 40 Ukrainian artists from the 18th to the 20th centuries. Entry is free of charge. As the name indicates, all the artists featured were born on what is present-day Ukrainian territory, though many trained in Russia. There are a lot of unknown names for a western audience, but the biggest is Ilya Repin, perhaps the most renowned of 19th-century Russian artists, who was born in the region round Kharkiv. 
The show in Geneva, on from December 8 to April 23, is called From Dusk to Dawn, and it reprises an exhibition that the National Gallery put on in Kyiv in 2021, with 19th- and 20th-century paintings and graphic works that reveal blazing sunsets, hopeful dawns and the contrast between darkness and light. Repin is represented here too, as are Mikhail Vrubel and Mariupol-born Arkhip Kuindzhi; you can expect to see the names spelt differently, using a transliteration from Ukrainian instead of Russian. 
 
More recent art is on view at Madrid's Thyssen-Bornemisza museum, with In the Eye of the Storm: Modernism in Ukraine, 1900-1930s. On until April 30, this show is made up of about 70 works, many of them from the National Art Museum of Ukraine and the State Museum of Theatre, Music and Cinema of Ukraine. It shows the rapid development of figurative and abstract art against the backdrop of World War I, the collapse of the Russian Empire, the creation of the Soviet Union, a Ukrainian war of independence and the horrors of famine and repression under Stalin. 
Among the artists featured are Kiev-born Kazemir Malevich, El Lissitzky and Odessa-born Sonia Delaunay. The exhibition moves on to the Museum Ludwig in Cologne from June 3 to September 24. 

Images

Kliment Redko, Kyiv-Pechersk Lavra, 1914, Kyiv National Art Gallery
Oleksandr Bohomazov, Sharpening the Saws, 1927, National Art Museum of Ukraine, Kyiv

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