Truth is often stranger than fiction, isn't it? Head to the newly opened venue of Charleston in Lewes for Dorothy Hepworth and Patricia Preece: An Untold Story , an exhibition that relates a piece of art history that, you have to say, would make a good film. And here are the two principal characters: Dorothy, on the left, a talented graduate of the Slade School of Fine Art , and her fellow student, friend, lover, partner and collaborator Patricia, perhaps not quite so talented, but both passionate about art. The photograph seems to tell you a lot. Dorothy looks a little bit awkward and ill at ease, slightly frumpy, androgynous even. Patricia appears confident, glamorous, exuberant, perhaps a little.... possessive? But maybe we're getting ahead of ourselves. We need to establish the plot.... The rather retiring Hepworth and the outgoing, gregarious Preece became inseparable as students, and they planned to set up a studio together after graduation. In 1922, Preece took exam
As war continues to rage in Ukraine, the country's art galleries have sent some of their prized works to safety in western Europe, and they'll be on show over the winter in exhibitions in Switzerland and Spain.
More than 100 pictures from Kyiv's National Art Gallery, formerly known as the Kyiv Museum of Russian Art, will be on display at both the Kunstmuseum in Basel and the Musée Rath in Geneva. The Kyiv gallery, one of Ukraine's biggest, has been marking its centenary this year. It suffered damage in a Russian rocket attack and approached the Kunstmuseum in the spring seeking temporary homes for some of its collection of over 14,000 works.
More than 100 pictures from Kyiv's National Art Gallery, formerly known as the Kyiv Museum of Russian Art, will be on display at both the Kunstmuseum in Basel and the Musée Rath in Geneva. The Kyiv gallery, one of Ukraine's biggest, has been marking its centenary this year. It suffered damage in a Russian rocket attack and approached the Kunstmuseum in the spring seeking temporary homes for some of its collection of over 14,000 works.
The show in Basel, entitled Born in Ukraine, runs until April 30 and features 63 paintings by 40 Ukrainian artists from the 18th to the 20th centuries. Entry is free of charge. As the name indicates, all the artists featured were born on what is present-day Ukrainian territory, though many trained in Russia. There are a lot of unknown names for a western audience, but the biggest is Ilya Repin, perhaps the most renowned of 19th-century Russian artists, who was born in the region round Kharkiv.
More recent art is on view at Madrid's Thyssen-Bornemisza museum, with In the Eye of the Storm: Modernism in Ukraine, 1900-1930s. On until April 30, this show is made up of about 70 works, many of them from the National Art Museum of Ukraine and the State Museum of Theatre, Music and Cinema of Ukraine. It shows the rapid development of figurative and abstract art against the backdrop of World War I, the collapse of the Russian Empire, the creation of the Soviet Union, a Ukrainian war of independence and the horrors of famine and repression under Stalin.
Among the artists featured are Kiev-born Kazemir Malevich, El Lissitzky and Odessa-born Sonia Delaunay. The exhibition moves on to the Museum Ludwig in Cologne from June 3 to September 24.
Among the artists featured are Kiev-born Kazemir Malevich, El Lissitzky and Odessa-born Sonia Delaunay. The exhibition moves on to the Museum Ludwig in Cologne from June 3 to September 24.
Images
Kliment Redko, Kyiv-Pechersk Lavra, 1914, Kyiv National Art Gallery
Oleksandr Bohomazov, Sharpening the Saws, 1927, National Art Museum of Ukraine, Kyiv
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