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Knowing Me, Knowing You

Self-portraits; now, we've seen quite a lot of exhibitions of those over the years. You know how Rembrandt or Vincent van Gogh saw themselves. But how do artists depict other artists? What happens when Peter Blake meets David Hockney, when Eric Ravilious takes on Edward Bawden? Answers can be found at the Pallant House Gallery in Chichester in a very interesting and illuminating exhibition entitled  Seeing Each Other: Portraits of Artists .  And sometimes the artist you see is a different artist from the one you might be expecting. When Mary McCartney photographed Tracey Emin in 2000, what came out was Frida Kahlo. McCartney felt a close affinity with the Mexican artist, and so did Emin, whose controversial My Bed had just been shortlisted for the Turner Prize. McCartney said she'd had a daydream of Emin as Kahlo, who spent a lot of time in bed herself as a result of her disabling injuries.  Emin was made up and dressed for the shoot, and then, according to McCartney , "...
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Ukrainian Art Heads West

As war continues to rage in Ukraine, the country's art galleries have sent some of their prized works to safety in western Europe, and they'll be on show over the winter in exhibitions in Switzerland and Spain.  

More than 100 pictures from Kyiv's National Art Gallery, formerly known as the Kyiv Museum of Russian Art, will be on display at both the Kunstmuseum in Basel and the Musée Rath in Geneva. The Kyiv gallery, one of Ukraine's biggest, has been marking its centenary this year. It suffered damage in a Russian rocket attack and approached the Kunstmuseum in the spring seeking temporary homes for some of its collection of over 14,000 works. 

The show in Basel, entitled Born in Ukraine, runs until April 30 and features 63 paintings by 40 Ukrainian artists from the 18th to the 20th centuries. Entry is free of charge. As the name indicates, all the artists featured were born on what is present-day Ukrainian territory, though many trained in Russia. There are a lot of unknown names for a western audience, but the biggest is Ilya Repin, perhaps the most renowned of 19th-century Russian artists, who was born in the region round Kharkiv. 
The show in Geneva, on from December 8 to April 23, is called From Dusk to Dawn, and it reprises an exhibition that the National Gallery put on in Kyiv in 2021, with 19th- and 20th-century paintings and graphic works that reveal blazing sunsets, hopeful dawns and the contrast between darkness and light. Repin is represented here too, as are Mikhail Vrubel and Mariupol-born Arkhip Kuindzhi; you can expect to see the names spelt differently, using a transliteration from Ukrainian instead of Russian. 
 
More recent art is on view at Madrid's Thyssen-Bornemisza museum, with In the Eye of the Storm: Modernism in Ukraine, 1900-1930s. On until April 30, this show is made up of about 70 works, many of them from the National Art Museum of Ukraine and the State Museum of Theatre, Music and Cinema of Ukraine. It shows the rapid development of figurative and abstract art against the backdrop of World War I, the collapse of the Russian Empire, the creation of the Soviet Union, a Ukrainian war of independence and the horrors of famine and repression under Stalin. 
Among the artists featured are Kiev-born Kazemir Malevich, El Lissitzky and Odessa-born Sonia Delaunay. The exhibition moves on to the Museum Ludwig in Cologne from June 3 to September 24. 

Images

Kliment Redko, Kyiv-Pechersk Lavra, 1914, Kyiv National Art Gallery
Oleksandr Bohomazov, Sharpening the Saws, 1927, National Art Museum of Ukraine, Kyiv

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