There's not a haystack, waterlily or cliff-face to be seen; you won't be gazing into the box at the theatre or contemplating steaming locomotives in the station, because we're not looking at the French Impressionists for a change; we've crossed the Rhine (literally; we flew into Strasbourg and took the train) to explore Impressionism in Germany: Max Liebermann and his Times at the Museum Frieder Burda in Baden-Baden. Yes, there are Caillebotte-like yachts and Renoir-style children, intimate interiors and cityscapes -- similar themes, though the treatment is often quite different -- but then there are also actors on the stage, Bible stories and views of orphanages, subjects the French never really tackled. Oh, and beer gardens. The three big names in this show are Max Slevogt, Lovis Corinth and above all Max Liebermann, the doyen of the German Impressionist movement. And a man with a passion for horticulture; Liebermann's garden on the outskirts of Berlin is as im...
"Here she comes/You better watch your step/She's going to break your heart in two/It's true." Lou Reed wrote the song ; Now the Kunsthalle in Hamburg brings you the pictures. Femme Fatale: Gaze -- Power -- Gender looks at how painters in the late 19th and early 20th centuries -- Pre-Raphaelites, Symbolists and Impressionists among them -- developed the image, as well as how modern women artists have attempted to reinterpret it. With around 200 exhibits, it's on from December 9 to April 10. Our preview this month is very much centred on Germany as that is where most of the openings are this December. In Berlin, the Sammlung Scharf-Gerstenberg is looking back a full century to the premiere of the seminal horror movie with Phantoms of the Night: 100 Years of Nosferatu . The curators explore how FW Murnau's 1922 film drew on sources such as Goya and Caspar David Friedrich and how this silent movie went on to influence the Surrealists as well as popular culture d...