There's much to admire about Suzanne Valadon, a very individual, hard-to-categorise painter who truly blazed a trail for women artists in the first half of the 20th century. But could you live with her brutal, unrelenting works on your wall? One of the pictures that first greets you in the Suzanne Valadon retrospective at the Pompidou Centre in Paris is this one -- The Blue Room -- and it certainly slaps you in the face. Valadon takes the tradition of the odalisque and turns it on its head. You've seen those nude women stretched out on a couch painted by men -- by Titian , by Goya , by Ingres and by Manet , but what about Valadon's version? It's not erotic, by any means. Her model is a bit more solidly built than most, and she's wearing a pair of stripy pyjama bottoms. Fag in mouth, she's also got a yellow paperback novel on the go. Could you imagine a man painting this in the early part of the 20th century? Could you imagine an English woman artist like L...
There are lots and lots of new exhibitions starting in September right across Europe. The big offering on our radar in London is at the Wallace Collection in the shape of Frans Hals: The Male Portrait . The Wallace's own The Laughing Cavalier will be joined by over a dozen of the Dutch painter's works from galleries in Britain, Europe and the US in the first ever show to focus on Hals's depictions of solo male sitters. On from September 22 to January 30. One of the world's most recognisable artworks, The Great Wave , by Katsushika Hokusai, will of course be part of an exhibition of work by this Japanese artist and printmaker starting on September 30 at the British Museum, but for once it's not the focus. Hokusai: The Great Picture Book of Everything , which is on until January 30, puts on display for the first time ever 103 drawings he made in the early 19th century for an encyclopedia that was never published. The works were recently acquired by the m...