Skip to main content

Opening and Closing in January

Let's kick off the New Year with something a bit out of the ordinary: Brasil! Brasil! The Birth of Modernism at London's Royal Academy. This show features more than 130 works by 10 key 20th-century Brazilian artists, and most of them have never been on show in the UK before, providing a chance to look at modern art in a way that breaks from the European and North American perspective we're so used to. On from January 28 to April 21.   There are more familiar names at Bath's Holburne Museum: Francis Bacon, Peter Blake, Gerhard Richter and Andy Warhol among them. Iconic: Portraiture from Bacon to Warhol  focuses on the middle of the 20th century when many artists began to use photographs as sources for their paintings. The exhibition runs from January 24 to May 5.  From January 22, the Louvre in Paris offers the chance to take  A New Look at Cimabue: At the Origins of Italian Painting . Cimabue, one of the most important artists of the 13th century, was among the...
Post a Comment

Subscribe to updates

Opening in March -- in a Few Places

So museums and galleries in Britain won't be welcoming art-lovers back for a while yet (not until mid-May in England, according to Boris Johnson's current timetable), but they're open in Austria, Belgium and Spain and will be unbolting their doors again in Switzerland from the start of March.  

That means we do have a few exhibitions to tell you about this month, and let's start in Switzerland, because the new show at the Kunstmuseum in Basel is scheduled to be making its way to London and New York before too long, assuming there are no more lockdowns.... Sophie Taeuber-Arp: Living Abstraction from March 20 to June 20 celebrates one of the most influential avant-garde artists of the 20th century. She's perhaps better-known in German-speaking countries (her face is on the Swiss 50-franc note) for her geometric designs across a wide range of media, including textiles, sculpture and painting. The exhibition is due at Tate Modern in July and then MoMA in November.

Meanwhile, in Madrid, there are two exhibitions to highlight at the Prado. Mythological Passions: Titian, Veronese, Allori, Rubens, Ribera, Poussin, Van Dyck, Velázquez starts on March 2 and brings together the six mythological paintings made by Titian for King Philip II of Spain, reunited for the first time in centuries and now back in Spain after initially being on show together at London's National Gallery. At the Prado, they're displayed as part of a total of 29 pictures of mythological love by great Renaissance and Baroque masters, 13 of them on loan. The exhibition runs until July 4.   

Opening on March 9 is the first ever exhibition dedicated to Marinus van Reymerswale. You may not recognise the name of this early 16th-century Netherlandish painter, but if you're interested in the art of this period, you're bound to have seen some of his pictures of money-changers and tax collectors, often with extravagant headgear, counting out their perhaps ill-gotten gains. Marinus: Painter from Reymerswale is on at the Prado until June 13. 
And in Milan, there's a celebration of often largely neglected women artists from the 16th and 17th centuries at the Palazzo Reale. Artemisia Gentileschi, Sofonisba Anguissola and Lavinia Fontana are the most celebrated of the 30-odd names represented by more than 130 works from around Italy and beyond in Le Signore d'Arte, which runs from March 2 to July 25. Some of the pictures will be on public display for the first time. 

Images

Sophie Taeuber-Arp, Composition à cercles et demi-cercles, 1938, Arp Museum Bahnhof Rolandseck, Remagen, Germany
Marinus van Reymerswale, The Moneychanger and his Wife, 1539, Museo Nacional del Prado, Madrid. © Museo Nacional del Prado
Labels:

Comments

Post a Comment

Popular posts from this blog

Opening and Closing in October

There's been a spate of exhibitions over the past few years aimed at redressing centuries of neglect of the work of women artists, and the Italian Baroque painter  Artemisia Gentileschi is the latest to come into focus, at the National Gallery in London, starting on October 3. Most of the works have never been seen in Britain before, and they cover a lengthy career that features strong female figures in Biblical and classical scenes, as well as self-portraits. Until January 24.  Also starting at the National on October 7 is a free exhibition that looks at Sin , as depicted by artists from Diego Velázquez and William Hogarth through to Tracey Emin, blurring the boundaries between the religious and the secular. This one runs until January 3.   Tate Britain shows this winter how JMW Turner embraced the rapid industrial and technological advances at the start of the 19th century and recorded them in his work. Turner's Modern World , starting on October 28, will inclu...
Post a Comment
Read more

What's On in 2025

What will be the exhibition highlights of 2025 around Britain and Europe? At the end of the year, Tate Britain will be marking 250 years since the birth of JMW Turner and John Constable with a potential blockbuster. Meanwhile, the Swiss are  making a big thing  of the 100th anniversary of the death of Félix Vallotton  (a real favourite of ours). Among women artists in the spotlight will be Anna Ancher, Ithell Colquhoun, Artemisia Gentileschi and Suzanne Valadon. Here's a selection of what's coming up, in more or less chronological order; as ever, we make no claim to comprehensiveness, and our choice very much reflects our personal taste. And in our search for the most interesting shows, we're visiting Ascona, Baden-Baden, Chemnitz and Winterthur, among other places.  January  We start off in Paris, at the Pompidou Centre; the 1970s inside-out building is showing its age and it'll be shut in the summer for a renovation programme scheduled to last until 2030. Bef...
Post a Comment
Read more

The Thrill of Pleasure: Bridget Riley

Prepare yourself for some sensory overload. Curves, stripes, zig-zags, wavy lines, dots, in black and white or colour. Look at many of the paintings of Bridget Riley and you're unable to escape the eerie sensation that the picture in front of you is in motion, has its own inner three-dimensional life, is not just inert paint on flat canvas, panel or plaster. It's by no means unusual to see selections of Riley's paintings on display, but a blockbuster exhibition at the Scottish National Gallery in Edinburgh brings together 70 years of her pictures in a dazzling extravaganza of abstraction, including a recreation of her only actual 3D work, which you walk into for a perspectival sensurround experience. It's "that thrill of pleasure which sight itself reveals," as Riley once said. It's a really terrific show, and the thrill of pleasure in the Scottish capital was enhanced by the unexpected lack of visitors on the day we went to see it, with huge empty sp...
Post a Comment
Read more