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The Fabric of Faith

We must confess that religious paintings are not our favourite subject, and we've tended to regard Spanish Catholic art as being, well, just a little too religious to cope with. So we approached the Francisco de  Zurbarán  exhibition at the National Gallery in London with a certain amount of trepidation. A degree of contrition is due.... Yes, there were monks, altarpieces and lots of saints, but we were blown away by Zurbarán's ability to depict textures and fabrics and to convey an intensity of feeling.  It's an absolutely excellent exhibition, full of truly beautiful paintings. Such religious art was intended to bring the faithful closer to God, to bridge the gap between Heaven and Earth, in an age when many could not read. Zurbarán was a master at it. Let's start with a saint: Just take a look at the fabrics, trimmings and gems in this picture. And the garments are even more striking when you are stood in front of this nearly life-size figure.  This is Casild...
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Opening in March -- in a Few Places

So museums and galleries in Britain won't be welcoming art-lovers back for a while yet (not until mid-May in England, according to Boris Johnson's current timetable), but they're open in Austria, Belgium and Spain and will be unbolting their doors again in Switzerland from the start of March.  

That means we do have a few exhibitions to tell you about this month, and let's start in Switzerland, because the new show at the Kunstmuseum in Basel is scheduled to be making its way to London and New York before too long, assuming there are no more lockdowns.... Sophie Taeuber-Arp: Living Abstraction from March 20 to June 20 celebrates one of the most influential avant-garde artists of the 20th century. She's perhaps better-known in German-speaking countries (her face is on the Swiss 50-franc note) for her geometric designs across a wide range of media, including textiles, sculpture and painting. The exhibition is due at Tate Modern in July and then MoMA in November.

Meanwhile, in Madrid, there are two exhibitions to highlight at the Prado. Mythological Passions: Titian, Veronese, Allori, Rubens, Ribera, Poussin, Van Dyck, Velázquez starts on March 2 and brings together the six mythological paintings made by Titian for King Philip II of Spain, reunited for the first time in centuries and now back in Spain after initially being on show together at London's National Gallery. At the Prado, they're displayed as part of a total of 29 pictures of mythological love by great Renaissance and Baroque masters, 13 of them on loan. The exhibition runs until July 4.   

Opening on March 9 is the first ever exhibition dedicated to Marinus van Reymerswale. You may not recognise the name of this early 16th-century Netherlandish painter, but if you're interested in the art of this period, you're bound to have seen some of his pictures of money-changers and tax collectors, often with extravagant headgear, counting out their perhaps ill-gotten gains. Marinus: Painter from Reymerswale is on at the Prado until June 13. 
And in Milan, there's a celebration of often largely neglected women artists from the 16th and 17th centuries at the Palazzo Reale. Artemisia Gentileschi, Sofonisba Anguissola and Lavinia Fontana are the most celebrated of the 30-odd names represented by more than 130 works from around Italy and beyond in Le Signore d'Arte, which runs from March 2 to July 25. Some of the pictures will be on public display for the first time. 

Images

Sophie Taeuber-Arp, Composition à cercles et demi-cercles, 1938, Arp Museum Bahnhof Rolandseck, Remagen, Germany
Marinus van Reymerswale, The Moneychanger and his Wife, 1539, Museo Nacional del Prado, Madrid. © Museo Nacional del Prado
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