Skip to main content

New Exhibitions in November

It's surely an anniversary the Tate has long been counting down to: JMW Turner was born in 1775, John Constable in 1776. To mark the 250 years of two of the country's greatest painters, Turner and Constable  is on at Tate Britain from November 27 to April 12. Rivals with very different approaches to landscape painting, they were both hugely influential. More than 170 works are promised, with Turner's Burning of the Houses of Lords and Commons  and Constable's White Horse  coming home from the US for the show. Before those two were even born, Joseph Wright of Derby had already painted his most famous picture, An Experiment on a Bird in the Air Pump . It'll be part of Wright of Derby: From the Shadows   at the National Gallery from November 7 to May 10, which is intended to challenge the view of Wright as just a painter of light and shade and to illustrate how he used the night to explore deeper and more sombre themes. Only 20 or so works, however, making it a disappo...

Subscribe to updates

Opening in January, with Any Luck

Got any plans for the first month of 2021? Zoom call? Vaccination? An exhibition? Well, here's a few that are scheduled to open, if the authorities allow. 

London's first big-name show of the year is at the Royal Academy. Francis Bacon: Man and Beast looks at how the boundaries between humans and animals are so often distorted in Bacon's violent pictures. Bacon was fascinated by the subject of animal movement throughout his career. This exhibition is scheduled from January 30 to April 18. 
The previous lockdown meant the curtain failed to go up in November on Noël Coward: Art & Style at the Guildhall Art Gallery, but the show is now slated to begin its run on January 14. The exhibition, including previously undisplayed material, is being staged to commemorate the centenary of Coward's West End debut as a 19-year-old playwright. The writer of Brief Encounter and Mad Dogs and Englishmen had a huge impact on fashion and culture in the mid-20th century, and his influence continues to this day. 

Fancy sightseeing in Venice? Then Bath is the place to go. The Holburne Museum is displaying 23 paintings by Canaletto of the Italian city, which are leaving their home at Woburn Abbey in Bedfordshire (currently being refurbished) for the first time in 70 years. The pictures, the artist's largest set of Venetian views, were commissioned by the 4th Duke of Bedford and usually hang high up in the dining room at Woburn, so this is a rare chance to see them up close. Canaletto: Painting Venice is on from January 22, let us hope, to September 5. 

The Danish painter Peder Severin Krøyer enjoyed much success in Paris in the 1880s, and a show of his works is scheduled to hit the Musée Marmottan Monet in the French capital from January 28 to July 25. The title of the exhibition, The Blue Hour of Peder Severin Krøyer, is a reference to the bluish twilight experienced in Skagen at Denmark's northern tip, where Krøyer was one of the founders of the turn-of-the-century artists' colony. A show at Skagen in 2022 will celebrate Krøyer's links with France. 

Another Dane now: Vilhelm Hammershøi was born just over a decade after Krøyer and in the 1880s began to use photography as an artistic tool in collaboration with fellow artist Valdemar Schønheyder Møller, leading to unusual cropping and shading in his paintings. Emergences: Vilhelm Hammershøi, Valdemar Schønheyder Møller and Photography includes rarely seen works from private collections and is planned to be on at the Hirschsprung Collection in Copenhagen from January 20 to May 24. It can be seen at the Thiel Gallery in Stockholm afterwards. 

German galleries have been closed for several weeks but some provisionally hope to reopen in mid-January. The start of Impressionism in Russia at the Museum Barberini in Potsdam, just outside Berlin, has been delayed, but you can visit the show online already. Many of the 80-plus works come from the Tretyakov Gallery in Moscow, including Ilya Repin's On the Field Boundary, a picture we remember from an encounter with late 19th-century Russian artists at the Munch Museum in Oslo in 2019. The Potsdam show is scheduled to run until February 14 before transferring to the Museum Frieder Burda in Baden-Baden in March. 

We never got to the Tate to see the Andy Warhol show there in 2020, and we almost certainly won't be able to travel to Cologne to see the next stop for this retrospective of the high priest of Pop Art, but if you're in the vicinity, Andy Warhol Now is due to be on at the Museum Ludwig until April 18 once it resumes operations. Marilyn Monroe, Campbell's Soup and more on the menu. 

And at the Deutsches Historisches Museum in Berlin, an opportunity to immerse yourself in one of those scenes that helped define the Cold War. In August 1961, a young East German border guard leapt across the barbed-wire barrier dividing East and West Berlin in a dramatic escape captured by a photographer on the western side. The Leap -- 1961 will use virtual-reality headsets to take you back six decades to experience that crack in the Iron Curtain, from January 14, in theory, until April 5. 

Last chance to see....

January 2 is the very last day at the Museum of Modern Art in New York for the wonderful show about Félix Fénéon, anarchist, art critic and collector, and promoter of Neo-Impressionism. We saw it at the Musée de l'Orangerie in Paris in 2019.

And the really splendid overview of The Golden Age of Danish Painting at the Petit Palais in Paris is due to finish on January 17. We absolutely loved this exhibition when we went to the National Museum in Stockholm to see it nearly two years ago. 

Images

Francis Bacon, Study for Bullfight No. 1, 1969, Private collection. © The Estate of Francis Bacon. All rights reserved, DACS/Artimage 2020. Photo: Prudence Cuming Associates Ltd
Ilya Repin, On the Field Boundary: Vera Repina with Her Children, 1879, The State Tretyakov Gallery, Moscow
Film still from The Leap -- 1961, 2020. © Boris Hars-Tschachotin
Christen Købke, One of the Small Towers on Frederiksborg Castle, 1834-35, Designmuseum Denmark, Copenhagen. Photo: Pernille Klemp

Comments

Popular posts from this blog

What's On in 2025

What will be the exhibition highlights of 2025 around Britain and Europe? At the end of the year, Tate Britain will be marking 250 years since the birth of JMW Turner and John Constable with a potential blockbuster. Meanwhile, the Swiss are  making a big thing  of the 100th anniversary of the death of Félix Vallotton  (a real favourite of ours). Among women artists in the spotlight will be Anna Ancher, Ithell Colquhoun, Artemisia Gentileschi and Suzanne Valadon. Here's a selection of what's coming up, in more or less chronological order; as ever, we make no claim to comprehensiveness, and our choice very much reflects our personal taste. And in our search for the most interesting shows, we're visiting Ascona, Baden-Baden, Chemnitz and Winterthur, among other places.  January  We start off in Paris, at the Pompidou Centre; the 1970s inside-out building is showing its age and it'll be shut in the summer for a renovation programme scheduled to last until 2030. Bef...

Carrington: You've Met Leonora, Now Discover Dora

Carrington: She only wanted to be known by her surname, unwittingly posing a conundrum for art historians, curators and the wider world a century later.  Because it's another somewhat later Carrington, the long-lived Surrealist and totally unrelated, who's recently become Britain's most expensive woman artist. But today we're at Pallant House Gallery in Chichester to see an exhibition not about Leonora but about Dora Carrington. She hated that name Dora -- so Victorian -- but with Leonora so much in the limelight (and the subject of a  recent show at Newlands House in Petworth, just a few miles up the road), the curators at the Pallant didn't have much option, so they've had to call their retrospective  Dora Carrington: Beyond Bloomsbury .  Leonora was a bit of a rebel, as we found out in Petworth. Dora too. But we ought to respect her wish. Carrington, then, has been a bit neglected recently; this is the first show of her works in three decades. And while ther...

Very Rich Hours in Chantilly

It is a once-in-a-lifetime experience: the chance to see one of the greatest -- and most fragile -- works of European art before your very eyes. The illustrated manuscript known as the  Très Riches Heures du Duc de Berry contains images that have shaped our view of the late Middle Ages, but it's normally kept under lock and key at the Château de Chantilly, north of Paris. It's only been exhibited twice in the past century. Now newly restored, the glowing pages of  Les Très Riches Heures du Duc de Berry are on show to the public for just a few months. "Approche, approche," the Duke of Berry's usher tells the visitors to the great man's table for the feast that will mark the start of the New Year. It's also your invitation to examine closely the illustration for January, one of the 12 months from the calendar in this Book of Hours -- a collection of prayers and other religious texts -- that form the centrepiece of this exhibition in Chantilly.  It's su...