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Showing posts from May, 2020

Pallant Landscapes : An Appreciation of the Countryside

For centuries, landscape was usually seen as a backdrop in history or religious paintings, but  British Landscapes: A Sense of Place  at the Pallant House Gallery in Chichester shows how it evolved as a genre in its own right. And in particular, how artists in the 18th, 19th and 20th centuries were not just reproducing a scene before their eyes but trying to convey in their pictures the emotions and feelings evoked by the land and countryside: the sense of the place, as  Pallant Director Simon Martin, who c urated this exhibition, aptly describes it. The show's not on for much longer, but here's a few of our impressions, and let's start with a painting that's a fine example of how an artist puts current events and concerns on canvas.   It was December 1916 when Mark Gertler painted this view of the South Coast Near Swanage . It looks so peaceful, the sea is smooth, the distant cliffs of the headland appear soft and even the nearby greenery is out of focus. But W...

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Opening (and Reopening) in June

Here in England, you can visit a car showroom again from June 1, but if you're hoping to get out to see some art during the month, it looks like you'll need to be on the European mainland. Museums across the Netherlands are reopening at the start of June, and one exhibition we can thoroughly recommend is George Stubbs -- The Man, The Horse, The Obsession at the Mauritshuis in The Hague, which is being extended through to August 30. Find out how, in the 18th century, Stubbs was able to produce portraits of horses of unparalleled realism and get the chance to admire Whistlejacket , his most famous work and one of the jewels of London's National Gallery. We saw a bigger, broader version of this show last year at the MK Gallery in Milton Keynes and loved it . Dutch museums will initially be operating at reduced capacity to allow for social distancing, and you need to book online tickets in advance to visit, specifying a timeslot for entry, though there's no need to we...