We must confess that religious paintings are not our favourite subject, and we've tended to regard Spanish Catholic art as being, well, just a little too religious to cope with. So we approached the Francisco de Zurbarán exhibition at the National Gallery in London with a certain amount of trepidation. A degree of contrition is due.... Yes, there were monks, altarpieces and lots of saints, but we were blown away by Zurbarán's ability to depict textures and fabrics and to convey an intensity of feeling. It's an absolutely excellent exhibition, full of truly beautiful paintings. Such religious art was intended to bring the faithful closer to God, to bridge the gap between Heaven and Earth, in an age when many could not read. Zurbarán was a master at it. Let's start with a saint: Just take a look at the fabrics, trimmings and gems in this picture. And the garments are even more striking when you are stood in front of this nearly life-size figure. This is Casild...
It's the month before Christmas, and all through the house, there's not a lot stirring in terms of new exhibitions.
At the Wallace Collection in London, December 4 sees the opening of Forgotten Masters: Indian Painting for the East India Company. Curated by writer and historian William Dalrymple, this is the first show in the UK of works by Indian painters for the trading company that effectively ruled large parts of the subcontinent in the 18th and 19th centuries. Until April 19.
We've seen some superb exhibitions at the Kunsthalle in Hamburg in the past, and their new show brings together three really big names: Goya, Fragonard, Tiepolo. With around 100 works, the exhibition will examine the disparity of 18th-century art in an age of great political, technological and social change. December 13 to April 13.
And in Italy, the Palazzo dei Diamanti in Ferrara is devoting a show to Giuseppe De Nittis, the Italian painter closely associated with the French Impressionists. It's on from December 1 to April 13.
Image of Fleet St taken from a 1967 Greater London Council report on the feasibility of introducing monorails in central London, London Metropolitan Archives (City of London)
At the Wallace Collection in London, December 4 sees the opening of Forgotten Masters: Indian Painting for the East India Company. Curated by writer and historian William Dalrymple, this is the first show in the UK of works by Indian painters for the trading company that effectively ruled large parts of the subcontinent in the 18th and 19th centuries. Until April 19.
We've seen some superb exhibitions at the Kunsthalle in Hamburg in the past, and their new show brings together three really big names: Goya, Fragonard, Tiepolo. With around 100 works, the exhibition will examine the disparity of 18th-century art in an age of great political, technological and social change. December 13 to April 13.
And in Italy, the Palazzo dei Diamanti in Ferrara is devoting a show to Giuseppe De Nittis, the Italian painter closely associated with the French Impressionists. It's on from December 1 to April 13.
Last chance to see....
Two complementary shows are finishing at the Guildhall Art Gallery in the City of London. December 1 is the last day for Architecture of London, an exhibition that looks back at how artists have viewed the metropolis over four centuries, while The London that Never Was, a quirky free display on the buildings and projects that failed to get constructed, closes a week later.
And in Copenhagen, one of the best exhibitions of the year, a huge retrospective of the Danish Golden Age in the 19th century, ends its run at the National Gallery on December 8. It will be on again at the Petit Palais in Paris from April 28.
Images
Francisco José de Goya y Lucientes, Don Tomás Pérez Estala, c. 1795. © Hamburger Kunsthalle/bpk, Photo: Elke WalfordImage of Fleet St taken from a 1967 Greater London Council report on the feasibility of introducing monorails in central London, London Metropolitan Archives (City of London)


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