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Stubbs, a Thoroughbred Painter of Horses

No one before had ever painted horses like George Stubbs. Not only did they look incredibly lifelike, he seemed able to capture their individual character -- a talent that ensured he could command extremely high prices for his work from wealthy and influential patrons.  There's now a rare chance to appreciate the only one of the painter's outstanding lifesize equine canvases still in private hands in a small free exhibition,  Stubbs: Portrait of a Horse , in Room 1 at the National Gallery in London. This is Scrub, eight times a race winner, who like the gallery's Whistlejacket belonged to one of those rich patrons, the Marquess of Rockingham, and he commissioned both pictures in about 1762.  Scrub, again like Whistlejacket, was depicted not just as a racehorse, under the control of a jockey or stable boy, but in a grand manner, intended to serve as the steed in an equine portrait of George III, who had recently come to the throne. Other specialist painters would be u...
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Opening and Closing in December

It's the month before Christmas, and all through the house, there's not a lot stirring in terms of new exhibitions.

At the Wallace Collection in London, December 4 sees the opening of Forgotten Masters: Indian Painting for the East India Company. Curated by writer and historian William Dalrymple, this is the first show in the UK of works by Indian painters for the trading company that effectively ruled large parts of the subcontinent in the 18th and 19th centuries. Until April 19.

We've seen some superb exhibitions at the Kunsthalle in Hamburg in the past, and their new show brings together three really big names: Goya, Fragonard, Tiepolo. With around 100 works, the exhibition will examine the disparity of 18th-century art in an age of great political, technological and social change. December 13 to April 13.
And in Italy, the Palazzo dei Diamanti in Ferrara is devoting a show to Giuseppe De Nittis, the Italian painter closely associated with the French Impressionists. It's on from December 1 to April 13.

Last chance to see....

Two complementary shows are finishing at the Guildhall Art Gallery in the City of London. December 1 is the last day for Architecture of London, an exhibition that looks back at how artists have viewed the metropolis over four centuries, while The London that Never Was, a quirky free display on the buildings and projects that failed to get constructed, closes a week later.
And in Copenhagen, one of the best exhibitions of the year, a huge retrospective of the Danish Golden Age in the 19th century, ends its run at the National Gallery on December 8. It will be on again at the Petit Palais in Paris from April 28. 

Images

Francisco José de Goya y Lucientes, Don Tomás Pérez Estala, c. 1795. © Hamburger Kunsthalle/bpk, Photo: Elke Walford
Image of Fleet St taken from a 1967 Greater London Council report on the feasibility of introducing monorails in central London, London Metropolitan Archives (City of London)

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