Skip to main content

New Exhibitions in September

The Bayeux Tapestry  exhibition at the British Museum starts on September 10; it's already sold out for this year but booking for the rest of the run, from January 1 through to July 11, will open on October 21. If you've never seen this most breathtaking of historical artefacts, you may want to seize the chance before it leaves London next year for its permanent home in Normandy, which will have been renovated during its absence. At Southampton City Art Gallery, we're promised an extensive exhibition of British art from the first half of the 20th century, drawing on the museum's own substantial holdings and those of the Ingram Collection . Running from September 26 to February 21,  Art Then! British Painting, Sculpture and Drawing, 1910-1960  will feature artists including Barbara Hepworth, Gwen John , Paul Nash and Eric Ravilious.   There might not be much new on in London this month, but we'll always have Paris. Starting at the Musée Jacquemart-André with Time...

Subscribe to updates

Leonardo Draws the Crowds Across the UK

The exhibitions of Leonardo da Vinci drawings from the Royal Collection at 12 galleries around the UK are drawing such crowds that they are set to break attendance records.

The show marking the 500th anniversary of Leonardo's death at the Millennium Gallery in Sheffield has produced a "fantastic response", Museums Sheffield said this week. "In the first 19 days since we opened we’ve welcomed over 25,000 visitors through the doors, which sets it on track to become the Millennium Gallery’s most popular exhibition ever."

Glasgow's Kelvingrove Art Gallery reported the highest daily attendance figures of the eight museums that responded to our inquiries. It saw 18,408 visitors in the first 12 days after the displays opened simultaneously around the country on February 1.
Liverpool's Walker Art Gallery also reported more than 1,150 visitors a day, with a cumulative total of 19,603 by February 17. The Ulster Museum in Belfast reported 16,576 visitors by February 18, with 3,347 last weekend. Almost half of those going to the museum are visiting the Leonardo show.

The numbers may not be quite as high at some of the other venues, but Derby Museum & Art Gallery said it hasn't "ever experienced anything like the numbers of visitors coming through our doors." It counted almost 10,500 people by February 19, putting visitor numbers up 132% on the same period of 2018.

Bristol Museum & Art Gallery said its Leonardo was so far the busiest ticketed show it's had going by daily or weekly average visitor numbers, with 6,800 visitors by February 18. Bristol is charging for entry to its display, in contrast to most of the other venues, though students and under-25s go free on Wednesdays. 
Meanwhile, Southampton City Art Gallery said it had seen attendance at more than 20% of its normal yearly visitor numbers in the past three weeks. The National Museum in Cardiff said its display, for which there's also an admission charge, had drawn 7,187 visitors up to 17 February, an average of 479 a day, on a par with another Leonardo exhibition it hosted in 2007.

Leonardo da Vinci: A Life in Drawing is also on at Birmingham Museum & Art Gallery, Leeds Art Gallery, Manchester Art Gallery and Sunderland Museum & Winter Gardens. Each display, running until May 6, features 12 drawings from the Royal Collection. All the drawings and more go on show at the Queen's Gallery in London starting in late May, with a selection at Holyroodhouse in Edinburgh from November.

Images

Leonardo da Vinci, A star-of-Bethlehem and other plants, c. 1506-12, on display at Kelvingrove Art Gallery and Museum, Glasgow. Royal Collection Trust. © Her Majesty Queen Elizabeth II 2018
Leonardo da Vinci, Cats, lions and a dragon, c. 1517-18, on display at Bristol Museum & Art Gallery. Royal Collection Trust. © Her Majesty Queen Elizabeth II 2018

Comments

Popular posts from this blog

What's On in 2026

Coming up in 2026: Lots more big exhibitions starring women artists, including Frida Kahlo, Leonor Fini, Leonora Carrington and Gwen John , as well as a host of names from the 17th-century Low Countries. And women almost certainly embroidered the Bayeux Tapestry, a contender for this year's hottest ticket in London.   Here's a selection of shows that have caught our eye around Britain and Europe, in more or less chronological order; as ever, we make no claim to comprehensiveness, and our choice very much reflects our personal taste. January We'll start the year at the Fondation Beyeler on the outskirts of Basel, where they're devoting an exhibition to Paul Cezanne . Focusing on the artist's later years, the show will bring together some 80 oil paintings and watercolours. January 25 to May 25.  February Two leading British women artists feature in exhibitions opening this month, with the National Museum in Cardiff honouring the best-known female painter Wales has pr...

The Highs and Lows of the Nahmad Collection

It's widely referred to as the world's most valuable private art collection : the one assembled over decades by the Nahmad brothers, dealers Ezra and David . Worth an estimated $3 billion or more, it's said to include hundreds of Picassos. Some 60 works from it are now on display at the Musée des impressionnismes in Giverny as  The Nahmad Collection: From Monet to Picasso . Intended, apparently, to demonstrate how art developed from the early 19th century through Impressionism and on to the start of the modern era, towards the liberation of colour and form, this is an exhibition that ends up coming across as somewhat incoherent. We're not really told much about the Nahmads or their collecting choices -- and as you search the Internet, things become slightly mysterious: Is Ezra alive or dead? The art, presumably, is supposed to speak for itself, but it's a rather eclectic, if not confusing, selection; some of the works are fantastic, some are distinctly ho-hum.  Let...

Two Years in Provence

Van Gogh: Poets and Lovers at the National Gallery in London -- heavily hyped and certainly extremely popular. So is it worth the fairly hefty ticket price? Very much so. This is a beautifully put-together illustrated narrative of the two years Vincent spent in Provence, the peak period of his short career, from early 1888 to spring 1890. There are major paintings from galleries far and wide, and pictures you may never have seen before from private collections. It's not a big show -- only 61 works, just under a quarter of which are on paper -- but it is gorgeous.  From the National's description of the exhibition, with its reference to "bringing together your most loved of Van Gogh’s paintings from across the globe," you might be expecting an all-encompassing retrospective. But there are no pictures from the start of Vincent's artistic life in the Netherlands, from his time in Paris, or from his last few weeks in Auvers-sur-Oise before he died of self-inflicted g...