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'Too Bold to Have Been Painted by a Woman'

So the question to ask about the  Michaelina Wautier  exhibition at the Royal Academy in London must be: Is the hype about this recently rediscovered 17th-century woman painter justified? The answer: Yes, absolutely.  She really does merit acknowledgement -- and not just because we recognise a woman working in a man's world. Her art shows she was extremely talented, producing superb canvases covering a diverse range of subject matter. What's more, she painted very large pictures featuring male nudes, such as Bacchus, despite her contemporaries thinking that was not the sort of thing a female artist could do. And her portraits are wonderfully lively and lifelike. This is Martino Martini, an Italian Jesuit missionary who travelled to China in the 1640s. It was painted in 1654, when Michaelina was around 40. Martini, who was staying at the Jesuit College in Brussels, is depicted wearing traditional Chinese silk court attire and a hat of fur and feathers. A rather substantial...
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Opening in December

The Dutch Golden Age wasn't just Rembrandt, Hals and Vermeer. A little further inland from the North Sea, the painters of Utrecht -- Dirck van Baburen, Hendrick ter Brugghen and Gerard van Honthorst -- pursued a very different course, echoing the drama and light effects pioneered in the far south of Europe by Caravaggio. That's the theme of Utrecht, Caravaggio and Europe at the Centraal Museum in Utrecht from December 16 to March 24, with 60 loans from across Europe and the US. Caravaggio's Entombment of Christ from the Vatican can be seen for the first four weeks of the exhibition.
At the Petit Palais in Paris, there are two shows that are a little out of the ordinary. The strange dream-like images of late 19th-century Belgian Symbolist Fernand Khnopff are the subject of a major retrospective in an exhibition subtitled The Master of Enigma. Even odder are the drawings of Jean Jacques Lequeu, who died in poverty in 1826 having created his own architectural fantasy world. Both shows start on December 11 and run to March 17.

Vienna's Leopold Museum reopens on December 6 after a month of rebuilding with the excellent Egon Schiele show still on and a couple of new exhibitions starting that day as well. Most notably, Gustav Klimt and the other great Viennese Jugendstil exponent Koloman Moser feature along with pioneering Expressionist Richard Gerstl in Klimt Moser Gerstl until March 10.

Meanwhile, another Austrian Expressionist, Oskar Kokoschka, one of the most important artists of the 20th century, gets a retrospective at Zurich's Kunsthaus. This show, which is being staged in collaboration with the Leopold in Vienna, runs from December 14 to March 10 and will have some 200 exhibits, covering every stage of Kokoschka's long career.
Not many openings in December; normal service resumes in the New Year.

Images

Caravaggio, The Entombment of Christ, 1602-03. © Pinacoteca Vaticana, Vatican City
Oskar Kokoschka, Self-Portrait with Crossed Arms, 1923, Kunstsammlungen Chemnitz. Photo: © Kunstsammlungen Chemnitz/PUNCTUM /Bertram Kober © Fondation Oskar Kokoschka/2018 ProLitteris, Zurich
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