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The Fabric of Faith

We must confess that religious paintings are not our favourite subject, and we've tended to regard Spanish Catholic art as being, well, just a little too religious to cope with. So we approached the Francisco de  Zurbarán  exhibition at the National Gallery in London with a certain amount of trepidation. A degree of contrition is due.... Yes, there were monks, altarpieces and lots of saints, but we were blown away by Zurbarán's ability to depict textures and fabrics and to convey an intensity of feeling.  It's an absolutely excellent exhibition, full of truly beautiful paintings. Such religious art was intended to bring the faithful closer to God, to bridge the gap between Heaven and Earth, in an age when many could not read. Zurbarán was a master at it. Let's start with a saint: Just take a look at the fabrics, trimmings and gems in this picture. And the garments are even more striking when you are stood in front of this nearly life-size figure.  This is Casild...
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Opening in December

The Dutch Golden Age wasn't just Rembrandt, Hals and Vermeer. A little further inland from the North Sea, the painters of Utrecht -- Dirck van Baburen, Hendrick ter Brugghen and Gerard van Honthorst -- pursued a very different course, echoing the drama and light effects pioneered in the far south of Europe by Caravaggio. That's the theme of Utrecht, Caravaggio and Europe at the Centraal Museum in Utrecht from December 16 to March 24, with 60 loans from across Europe and the US. Caravaggio's Entombment of Christ from the Vatican can be seen for the first four weeks of the exhibition.
At the Petit Palais in Paris, there are two shows that are a little out of the ordinary. The strange dream-like images of late 19th-century Belgian Symbolist Fernand Khnopff are the subject of a major retrospective in an exhibition subtitled The Master of Enigma. Even odder are the drawings of Jean Jacques Lequeu, who died in poverty in 1826 having created his own architectural fantasy world. Both shows start on December 11 and run to March 17.

Vienna's Leopold Museum reopens on December 6 after a month of rebuilding with the excellent Egon Schiele show still on and a couple of new exhibitions starting that day as well. Most notably, Gustav Klimt and the other great Viennese Jugendstil exponent Koloman Moser feature along with pioneering Expressionist Richard Gerstl in Klimt Moser Gerstl until March 10.

Meanwhile, another Austrian Expressionist, Oskar Kokoschka, one of the most important artists of the 20th century, gets a retrospective at Zurich's Kunsthaus. This show, which is being staged in collaboration with the Leopold in Vienna, runs from December 14 to March 10 and will have some 200 exhibits, covering every stage of Kokoschka's long career.
Not many openings in December; normal service resumes in the New Year.

Images

Caravaggio, The Entombment of Christ, 1602-03. © Pinacoteca Vaticana, Vatican City
Oskar Kokoschka, Self-Portrait with Crossed Arms, 1923, Kunstsammlungen Chemnitz. Photo: © Kunstsammlungen Chemnitz/PUNCTUM /Bertram Kober © Fondation Oskar Kokoschka/2018 ProLitteris, Zurich
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