The Bayeux Tapestry exhibition at the British Museum starts on September 10; it's already sold out for this year but booking for the rest of the run, from January 1 through to July 11, will open on October 21. If you've never seen this most breathtaking of historical artefacts, you may want to seize the chance before it leaves London next year for its permanent home in Normandy, which will have been renovated during its absence. At Southampton City Art Gallery, we're promised an extensive exhibition of British art from the first half of the 20th century, drawing on the museum's own substantial holdings and those of the Ingram Collection . Running from September 26 to February 21, Art Then! British Painting, Sculpture and Drawing, 1910-1960 will feature artists including Barbara Hepworth, Gwen John , Paul Nash and Eric Ravilious. There might not be much new on in London this month, but we'll always have Paris. Starting at the Musée Jacquemart-André with Time...
The Dutch Golden Age wasn't just Rembrandt, Hals and Vermeer. A little further inland from the North Sea, the painters of Utrecht -- Dirck van Baburen, Hendrick ter Brugghen and Gerard van Honthorst -- pursued a very different course, echoing the drama and light effects pioneered in the far south of Europe by Caravaggio. That's the theme of Utrecht, Caravaggio and Europe at the Centraal Museum in Utrecht from December 16 to March 24, with 60 loans from across Europe and the US. Caravaggio's Entombment of Christ from the Vatican can be seen for the first four weeks of the exhibition.
At the Petit Palais in Paris, there are two shows that are a little out of the ordinary. The strange dream-like images of late 19th-century Belgian Symbolist Fernand Khnopff are the subject of a major retrospective in an exhibition subtitled The Master of Enigma. Even odder are the drawings of Jean Jacques Lequeu, who died in poverty in 1826 having created his own architectural fantasy world. Both shows start on December 11 and run to March 17.
Vienna's Leopold Museum reopens on December 6 after a month of rebuilding with the excellent Egon Schiele show still on and a couple of new exhibitions starting that day as well. Most notably, Gustav Klimt and the other great Viennese Jugendstil exponent Koloman Moser feature along with pioneering Expressionist Richard Gerstl in Klimt Moser Gerstl until March 10.
Meanwhile, another Austrian Expressionist, Oskar Kokoschka, one of the most important artists of the 20th century, gets a retrospective at Zurich's Kunsthaus. This show, which is being staged in collaboration with the Leopold in Vienna, runs from December 14 to March 10 and will have some 200 exhibits, covering every stage of Kokoschka's long career.
Not many openings in December; normal service resumes in the New Year.
Oskar Kokoschka, Self-Portrait with Crossed Arms, 1923, Kunstsammlungen Chemnitz. Photo: © Kunstsammlungen Chemnitz/PUNCTUM /Bertram Kober © Fondation Oskar Kokoschka/2018 ProLitteris, Zurich
At the Petit Palais in Paris, there are two shows that are a little out of the ordinary. The strange dream-like images of late 19th-century Belgian Symbolist Fernand Khnopff are the subject of a major retrospective in an exhibition subtitled The Master of Enigma. Even odder are the drawings of Jean Jacques Lequeu, who died in poverty in 1826 having created his own architectural fantasy world. Both shows start on December 11 and run to March 17.
Vienna's Leopold Museum reopens on December 6 after a month of rebuilding with the excellent Egon Schiele show still on and a couple of new exhibitions starting that day as well. Most notably, Gustav Klimt and the other great Viennese Jugendstil exponent Koloman Moser feature along with pioneering Expressionist Richard Gerstl in Klimt Moser Gerstl until March 10.
Meanwhile, another Austrian Expressionist, Oskar Kokoschka, one of the most important artists of the 20th century, gets a retrospective at Zurich's Kunsthaus. This show, which is being staged in collaboration with the Leopold in Vienna, runs from December 14 to March 10 and will have some 200 exhibits, covering every stage of Kokoschka's long career.
Not many openings in December; normal service resumes in the New Year.
Images
Caravaggio, The Entombment of Christ, 1602-03. © Pinacoteca Vaticana, Vatican CityOskar Kokoschka, Self-Portrait with Crossed Arms, 1923, Kunstsammlungen Chemnitz. Photo: © Kunstsammlungen Chemnitz/PUNCTUM /Bertram Kober © Fondation Oskar Kokoschka/2018 ProLitteris, Zurich


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