There's much to admire about Suzanne Valadon, a very individual, hard-to-categorise painter who truly blazed a trail for women artists in the first half of the 20th century. But could you live with her brutal, unrelenting works on your wall? One of the pictures that first greets you in the Suzanne Valadon retrospective at the Pompidou Centre in Paris is this one -- The Blue Room -- and it certainly slaps you in the face. Valadon takes the tradition of the odalisque and turns it on its head. You've seen those nude women stretched out on a couch painted by men -- by Titian , by Goya , by Ingres and by Manet , but what about Valadon's version? It's not erotic, by any means. Her model is a bit more solidly built than most, and she's wearing a pair of stripy pyjama bottoms. Fag in mouth, she's also got a yellow paperback novel on the go. Could you imagine a man painting this in the early part of the 20th century? Could you imagine an English woman artist like L...
This year marks the centenary of the deaths of both Gustav Klimt and Egon Schiele , and Vienna has been celebrating both with exhibitions. Now, it's London's turn to get in on the act, and drawings from one of the Austrian capital's great museums, the Albertina, are heading to the Royal Academy. Klimt/Schiele starts November 4 and runs through to February 3. At the National Gallery, there's a show devoted to one of the great portraitists of the Italian Renaissance, Lorenzo Lotto , known for his rich symbolism and psychological depth. This free exhibition is on from November 5 to February 10. Another free display at the National, starting November 29, centres on Edwin Landseer's Monarch of the Glen , that most romantic emblem of the Scottish Highlands (or a dreadful piece of Victorian kitsch?), which was bought for the nation from drinks giant Diageo last year. Other Landseer works and Peter Blake's version of the Monarch are also on show until February ...