Skip to main content

Opening and Closing in July

A very eclectic mix of shows this month, and we're starting with an exhibition that's not art at all, but of vital interest to everyone. The Science Museum is investigating the Future of Food , looking at new advances in growing, making, cooking and eating it. On from July 24 to January 4, it's free, though you need to book. Oh, and you get to see this 3,500-year-old sourdough loaf..... At the Lowry in Salford, they're offering a double bill of Quentin Blake and Me & Modern Life: The LS Lowry Collection . The show about Blake, who's written or illustrated more than 500 books, looks aimed at a family audience, while the Lowry exhibition includes borrowed works, marking the Salford arts centre's 25th anniversary. On from July 19 to January 4, and entry is again free, though you need to book a timeslot.  Another anniversary this year is the 250th of the birth of Jane Austen; among the exhibitions around the country is one in Winchester, the city where she died ...
Post a Comment

Subscribe to updates

Picasso: Twice as Pricey at the Tate as in Paris

It's getting more expensive to visit London's big art exhibitions, with prices in 2018 crossing the £20 mark. The Picasso 1932 show at Tate Modern starting in early March looks to be setting a new benchmark.

The headline price for tickets to Picasso, described by the Tate as "one of the most significant shows the gallery has ever staged", will be £22, or £25 including a Gift Aid donation. The exhibition is a joint effort with the Musée Picasso in Paris, where it's just finished its run. In Paris, though, full-price tickets cost just 12.50 euros, or £11, half the London level.
Exhibition prices at the Tate have been hovering just under the £20 mark recently. The Modigliani show on Bankside and the Impressionists on Millbank both cost a headline £19.70 (£17.70 without a Gift Aid donation), while the Bacon and Freud show starting at Tate Britain on February 28 is £19.50 (though it's £17 if you book in advance).

Both the recent Cezanne show at the National Portrait Gallery and the outstanding Charles I exhibition at the Royal Academy have cost £18 without a Gift Aid donation, £20 with.

The National Gallery is adopting a similar trend. You'll pay £20 during the week and £22 at weekends to see Monet & Architecture starting there in April, though tickets are £2 cheaper if booked online.
Consumer prices in Britain have risen about 7% in the past five years. By comparison, tickets for Tate Modern's big spring show appear to have more than doubled. The Roy Lichtenstein retrospective in 2013 cost £14.

We asked the Tate to comment on the pricing for Picasso, but so far it hasn't responded.

How do the big shows on the Continent compare? The Louvre is doing Delacroix starting next month and is charging 15 euros, while you can get into the Rubens exhibition at the Städel in Frankfurt for 14 euros during the week.

Is more than £20 for an art show expensive? Not necessarily. Compared with a couple of hours spent at a top sporting event or the theatre, it's good value. And West End cinema tickets are not far off £20 these days either. The big question is whether these £20 blockbusters will live up to their billing....

Images

Pablo Picasso, Nude in a Black Armchair (Nu au fauteuil noir), 1932, Private collection, USA. (c) Succession Picasso/DACS London, 2017
Claude Monet, The Water-Lily Pond (Le Bassin aux nymphéas), 1899. (c) The National Gallery, London

Pablo Picasso
Nude in a Black Armchair (Nu au fauteuil noir)
1932
Oil paint on canvas
1613 x 1295 mm
Private Collection, USA
© Succession Picasso/DACS London, 2017
Labels:

Comments

Post a Comment

Popular posts from this blog

What's On in 2025

What will be the exhibition highlights of 2025 around Britain and Europe? At the end of the year, Tate Britain will be marking 250 years since the birth of JMW Turner and John Constable with a potential blockbuster. Meanwhile, the Swiss are  making a big thing  of the 100th anniversary of the death of Félix Vallotton  (a real favourite of ours). Among women artists in the spotlight will be Anna Ancher, Ithell Colquhoun, Artemisia Gentileschi and Suzanne Valadon. Here's a selection of what's coming up, in more or less chronological order; as ever, we make no claim to comprehensiveness, and our choice very much reflects our personal taste. And in our search for the most interesting shows, we're visiting Ascona, Baden-Baden, Chemnitz and Winterthur, among other places.  January  We start off in Paris, at the Pompidou Centre; the 1970s inside-out building is showing its age and it'll be shut in the summer for a renovation programme scheduled to last until 2030. Bef...
Post a Comment
Read more

Carrington: You've Met Leonora, Now Discover Dora

Carrington: She only wanted to be known by her surname, unwittingly posing a conundrum for art historians, curators and the wider world a century later.  Because it's another somewhat later Carrington, the long-lived Surrealist and totally unrelated, who's recently become Britain's most expensive woman artist. But today we're at Pallant House Gallery in Chichester to see an exhibition not about Leonora but about Dora Carrington. She hated that name Dora -- so Victorian -- but with Leonora so much in the limelight (and the subject of a  recent show at Newlands House in Petworth, just a few miles up the road), the curators at the Pallant didn't have much option, so they've had to call their retrospective  Dora Carrington: Beyond Bloomsbury .  Leonora was a bit of a rebel, as we found out in Petworth. Dora too. But we ought to respect her wish. Carrington, then, has been a bit neglected recently; this is the first show of her works in three decades. And while ther...
Post a Comment
Read more

Caillebotte: This Is Modern Paris

You won't find a single work of art by Gustave Caillebotte in a British public collection. And yet he's one of the key figures in the Impressionist movement, whose 150th anniversary we're celebrating this year. But over in Paris, he's the subject of a big, big exhibition at the Musée d'Orsay; we jumped on the Eurostar to see it, and, even though  Caillebotte: Painting Men   was the most crowded show we'd been to in quite some time, we absolutely adored it.  And let's start with perhaps the pièce de résistance. Even if you don't know Caillebotte at all, you may have seen this image before; there's something about it that encapsulates late 19th-century Paris, with its view of an intersection between the broad new streets pushed through by that radical city-planner, Baron Haussmann, lined by elegant new buildings. This was the modern city, the modern world. Paris Street; Rainy Day : a painting in which there's nothing really happening, and there...
Post a Comment
Read more