Skip to main content

The A to Z of William Nicholson

What begins with an Alphabet chart, shows off some choice Silverware, portrays Queen Victoria, highlights the horrors of World War I and crosses the Ocean? Oh yes, and also includes a Rabbit, the star of a classic children's book. It's the  William Nicholson  exhibition at the Pallant House Gallery in Chichester.  This is the first major show of Nicholson's work for more than 20 years and it covers the full and very varied range of his art -- including landscapes, portraits, posters and book illustrations -- in a career that lasted from the Victorian age until the middle of the 20th century. Among his paintings, though, it's the still lifes, often featuring glittering silver, that stand out. This  Silver Casket and Red Leather Box  conveys just how skilled he was at rendering materials and reflections. You can marvel at the accuracy of his reproduction of the silver tea caddy as the original is displayed in a glass case alongside. Of course the reflection i...
Post a Comment

Subscribe to updates

Picasso: Twice as Pricey at the Tate as in Paris

It's getting more expensive to visit London's big art exhibitions, with prices in 2018 crossing the £20 mark. The Picasso 1932 show at Tate Modern starting in early March looks to be setting a new benchmark.

The headline price for tickets to Picasso, described by the Tate as "one of the most significant shows the gallery has ever staged", will be £22, or £25 including a Gift Aid donation. The exhibition is a joint effort with the Musée Picasso in Paris, where it's just finished its run. In Paris, though, full-price tickets cost just 12.50 euros, or £11, half the London level.
Exhibition prices at the Tate have been hovering just under the £20 mark recently. The Modigliani show on Bankside and the Impressionists on Millbank both cost a headline £19.70 (£17.70 without a Gift Aid donation), while the Bacon and Freud show starting at Tate Britain on February 28 is £19.50 (though it's £17 if you book in advance).

Both the recent Cezanne show at the National Portrait Gallery and the outstanding Charles I exhibition at the Royal Academy have cost £18 without a Gift Aid donation, £20 with.

The National Gallery is adopting a similar trend. You'll pay £20 during the week and £22 at weekends to see Monet & Architecture starting there in April, though tickets are £2 cheaper if booked online.
Consumer prices in Britain have risen about 7% in the past five years. By comparison, tickets for Tate Modern's big spring show appear to have more than doubled. The Roy Lichtenstein retrospective in 2013 cost £14.

We asked the Tate to comment on the pricing for Picasso, but so far it hasn't responded.

How do the big shows on the Continent compare? The Louvre is doing Delacroix starting next month and is charging 15 euros, while you can get into the Rubens exhibition at the Städel in Frankfurt for 14 euros during the week.

Is more than £20 for an art show expensive? Not necessarily. Compared with a couple of hours spent at a top sporting event or the theatre, it's good value. And West End cinema tickets are not far off £20 these days either. The big question is whether these £20 blockbusters will live up to their billing....

Images

Pablo Picasso, Nude in a Black Armchair (Nu au fauteuil noir), 1932, Private collection, USA. (c) Succession Picasso/DACS London, 2017
Claude Monet, The Water-Lily Pond (Le Bassin aux nymphéas), 1899. (c) The National Gallery, London

Pablo Picasso
Nude in a Black Armchair (Nu au fauteuil noir)
1932
Oil paint on canvas
1613 x 1295 mm
Private Collection, USA
© Succession Picasso/DACS London, 2017
Labels:

Comments

Post a Comment

Popular posts from this blog

What's On in 2025

What will be the exhibition highlights of 2025 around Britain and Europe? At the end of the year, Tate Britain will be marking 250 years since the birth of JMW Turner and John Constable with a potential blockbuster. Meanwhile, the Swiss are  making a big thing  of the 100th anniversary of the death of Félix Vallotton  (a real favourite of ours). Among women artists in the spotlight will be Anna Ancher, Ithell Colquhoun, Artemisia Gentileschi and Suzanne Valadon. Here's a selection of what's coming up, in more or less chronological order; as ever, we make no claim to comprehensiveness, and our choice very much reflects our personal taste. And in our search for the most interesting shows, we're visiting Ascona, Baden-Baden, Chemnitz and Winterthur, among other places.  January  We start off in Paris, at the Pompidou Centre; the 1970s inside-out building is showing its age and it'll be shut in the summer for a renovation programme scheduled to last until 2030. Bef...
Post a Comment
Read more

Carrington: You've Met Leonora, Now Discover Dora

Carrington: She only wanted to be known by her surname, unwittingly posing a conundrum for art historians, curators and the wider world a century later.  Because it's another somewhat later Carrington, the long-lived Surrealist and totally unrelated, who's recently become Britain's most expensive woman artist. But today we're at Pallant House Gallery in Chichester to see an exhibition not about Leonora but about Dora Carrington. She hated that name Dora -- so Victorian -- but with Leonora so much in the limelight (and the subject of a  recent show at Newlands House in Petworth, just a few miles up the road), the curators at the Pallant didn't have much option, so they've had to call their retrospective  Dora Carrington: Beyond Bloomsbury .  Leonora was a bit of a rebel, as we found out in Petworth. Dora too. But we ought to respect her wish. Carrington, then, has been a bit neglected recently; this is the first show of her works in three decades. And while ther...
Post a Comment
Read more

The Highs and Lows of the Nahmad Collection

It's widely referred to as the world's most valuable private art collection : the one assembled over decades by the Nahmad brothers, dealers Ezra and David . Worth an estimated $3 billion or more, it's said to include hundreds of Picassos. Some 60 works from it are now on display at the Musée des impressionnismes in Giverny as  The Nahmad Collection: From Monet to Picasso . Intended, apparently, to demonstrate how art developed from the early 19th century through Impressionism and on to the start of the modern era, towards the liberation of colour and form, this is an exhibition that ends up coming across as somewhat incoherent. We're not really told much about the Nahmads or their collecting choices -- and as you search the Internet, things become slightly mysterious: Is Ezra alive or dead? The art, presumably, is supposed to speak for itself, but it's a rather eclectic, if not confusing, selection; some of the works are fantastic, some are distinctly ho-hum.  Let...
Post a Comment
Read more