Skip to main content

Opening and Closing in August

August is always one of the quietest months for new exhibitions, and this year is no different, but we do have one big event to alert you to, as well as two splendid shows that only have weeks to run.  The one major opening is  Gwen John: Strange Beauties  at the National Galleries of Scotland in Edinburgh. Running from August 1 to January 4, this is a comprehensive retrospective of the work of the woman perhaps now seen as Wales's most significant artist, born 150 years ago this year. Maybe a little too comprehensive, according to some of the reviews of the show when it was on at the National Museum in Cardiff. The exhibition goes on to the Yale Center for British Art in New Haven, Connecticut, in February and then at the end of July next year to the National Museum of Women in the Arts in Washington DC. We saw a rather smaller Gwen John exhibition in Chichester in 2023.  Last chance to see.... Ending on August 23 is the exhibition at the Lakenhal in Leiden ...
Post a Comment

Subscribe to updates

Picasso: Twice as Pricey at the Tate as in Paris

It's getting more expensive to visit London's big art exhibitions, with prices in 2018 crossing the £20 mark. The Picasso 1932 show at Tate Modern starting in early March looks to be setting a new benchmark.

The headline price for tickets to Picasso, described by the Tate as "one of the most significant shows the gallery has ever staged", will be £22, or £25 including a Gift Aid donation. The exhibition is a joint effort with the Musée Picasso in Paris, where it's just finished its run. In Paris, though, full-price tickets cost just 12.50 euros, or £11, half the London level.
Exhibition prices at the Tate have been hovering just under the £20 mark recently. The Modigliani show on Bankside and the Impressionists on Millbank both cost a headline £19.70 (£17.70 without a Gift Aid donation), while the Bacon and Freud show starting at Tate Britain on February 28 is £19.50 (though it's £17 if you book in advance).

Both the recent Cezanne show at the National Portrait Gallery and the outstanding Charles I exhibition at the Royal Academy have cost £18 without a Gift Aid donation, £20 with.

The National Gallery is adopting a similar trend. You'll pay £20 during the week and £22 at weekends to see Monet & Architecture starting there in April, though tickets are £2 cheaper if booked online.
Consumer prices in Britain have risen about 7% in the past five years. By comparison, tickets for Tate Modern's big spring show appear to have more than doubled. The Roy Lichtenstein retrospective in 2013 cost £14.

We asked the Tate to comment on the pricing for Picasso, but so far it hasn't responded.

How do the big shows on the Continent compare? The Louvre is doing Delacroix starting next month and is charging 15 euros, while you can get into the Rubens exhibition at the Städel in Frankfurt for 14 euros during the week.

Is more than £20 for an art show expensive? Not necessarily. Compared with a couple of hours spent at a top sporting event or the theatre, it's good value. And West End cinema tickets are not far off £20 these days either. The big question is whether these £20 blockbusters will live up to their billing....

Images

Pablo Picasso, Nude in a Black Armchair (Nu au fauteuil noir), 1932, Private collection, USA. (c) Succession Picasso/DACS London, 2017
Claude Monet, The Water-Lily Pond (Le Bassin aux nymphéas), 1899. (c) The National Gallery, London

Pablo Picasso
Nude in a Black Armchair (Nu au fauteuil noir)
1932
Oil paint on canvas
1613 x 1295 mm
Private Collection, USA
© Succession Picasso/DACS London, 2017
Labels:

Comments

Post a Comment

Popular posts from this blog

What's On in 2026

Coming up in 2026: Lots more big exhibitions starring women artists, including Frida Kahlo, Leonor Fini, Leonora Carrington and Gwen John , as well as a host of names from the 17th-century Low Countries. And women almost certainly embroidered the Bayeux Tapestry, a contender for this year's hottest ticket in London.   Here's a selection of shows that have caught our eye around Britain and Europe, in more or less chronological order; as ever, we make no claim to comprehensiveness, and our choice very much reflects our personal taste. January We'll start the year at the Fondation Beyeler on the outskirts of Basel, where they're devoting an exhibition to Paul Cezanne . Focusing on the artist's later years, the show will bring together some 80 oil paintings and watercolours. January 25 to May 25.  February Two leading British women artists feature in exhibitions opening this month, with the National Museum in Cardiff honouring the best-known female painter Wales has pr...
1 comment
Read more

An Englishman Abroad: John Frederick Lewis

The Victorians had a taste for the exotic. The chance to be transported, as if on a magic carpet, away from rainy, smoky Britain to the delights of the East. And so they were captivated by the pictures John Frederick Lewis made of Egypt. Drawings and paintings so full of detail, so full of local colour, they were seen by his contemporaries as "accurately and intimately true".  John Frederick Lewis: Facing Fame at the Watts Gallery in Compton, Surrey traces the story of an English artist who not only travelled to the Orient, he was so wooed by it that he stayed in Cairo for a decade. And who, when he eventually returned to Britain, continued to paint Oriental-inspired scenes. "There was something un-English about him," John Ruskin said.  And here we are in Cairo's El Khan Khalil textile market. Full of colourful fabrics and carpets, turbanned extras, the obligatory sleeping dog and an Islamic arch. And in the foreground, a prosperous merchant himsel...
Post a Comment
Read more

The Highs and Lows of the Nahmad Collection

It's widely referred to as the world's most valuable private art collection : the one assembled over decades by the Nahmad brothers, dealers Ezra and David . Worth an estimated $3 billion or more, it's said to include hundreds of Picassos. Some 60 works from it are now on display at the Musée des impressionnismes in Giverny as  The Nahmad Collection: From Monet to Picasso . Intended, apparently, to demonstrate how art developed from the early 19th century through Impressionism and on to the start of the modern era, towards the liberation of colour and form, this is an exhibition that ends up coming across as somewhat incoherent. We're not really told much about the Nahmads or their collecting choices -- and as you search the Internet, things become slightly mysterious: Is Ezra alive or dead? The art, presumably, is supposed to speak for itself, but it's a rather eclectic, if not confusing, selection; some of the works are fantastic, some are distinctly ho-hum.  Let...
Post a Comment
Read more