The Art Exhibitions Blog

We'll start off this month by going back to Tuscany in the early 14th century, to the beginnings of modern western European painting. Duccio and Simone Martini were among those in the city of Siena reinventing art. There are more than 100 exhibits in  Siena: The Rise of Painting, 1300-1350 , which runs from March 8 to June 22 at the National Gallery in London. The show was previously on at the Metropolitan Museum in New York, and reviews were generally very good. There's a second show opening later in the month at the National, and it's quite an exotic one, devoted to a 19th-century Mexican artist whose work has not been shown in Britain before.  José María Velasco: A View of Mexico , running from March 29 to August 17, features sweeping landscapes by a painter who was interested not only in the natural world but in the rapid modernisation of his country.  Just around the corner at the National Portrait Gallery, there's a rather more conventional draw:  Edvard Munch ...

We went along to  Tirzah Garwood: Beyond Ravilious at Dulwich Picture Gallery expecting to gain most enjoyment from the artist's witty, whimsical early woodcuts and drawings. In fact, rather to our surprise, it was her late paintings and 3-D collages that stole the show: strange, sometimes childlike, sometimes quite sophisticated art, with a touch of the surreal and a great deal of fantasy. And often very joyful, when you consider how the last decade of Garwood's short life was marked by war, death and fatal illness.  That's the decade beyond Ravilious; her first husband, Eric, died in a plane crash while working as a war artist in 1942. It's only in recent years that Tirzah's own art has started to draw attention; we first came across her in a small show at the Fry Art Gallery in Saffron Walden back in 2019. This exhibition in south-east London is a much bigger, more comprehensive affair. And one that's been drawing crowds; we arrived at 1200 on a Tuesday and...