There's no denying it: Bridget Riley's art has a physical effect on you. So much so that gallery attendants at Turner Contemporary in Margate for Bridget Riley: Learning to See have been advised to avert their eyes from the paintings regularly. Stand in front of those curves and waves, or the precise narrow brightly coloured vertical stripes that fill some works, and you may feel you are swaying. You become slightly dizzy or a little queasy, even perhaps a bit seasick; well, it can get pretty choppy out there on the North Sea, just beyond the gallery walls. Nothing too alarming or extreme, though; it's just a perception. When we went to see this Bridget Riley show w e knew what to expect, having been in July 2019 to the blockbuster exhibition at the Scottish National Gallery in Edinburgh that brought together half a century of pictures in a dazzling extravaganza of Op Art abstraction. It moved to the Hayward Gallery in...
The camera takes centre stage in London this month, starting at Tate Modern on June 13 with Capturing the Moment , a show that aims to explore the relationship between painting and photography through work by artists including Pablo Picasso, Andy Warhol, David Hockney and Gerhard Richter. No rush: It's on until January 28. Missed the National Portrait Gallery? It reopens after refurbishment on June 22 with Yevonde: Life and Colour , exploring the career of the pioneering London woman photographer who was an early user of colour film in the 1930s. "Be original or die," she said, and you can see just how original she was until September 15. Despite Yevonde, the early 60s in Britain still seemed to happen in black-and-white, and here's the chance to view the biggest cultural phenomenon of the decade through the lens of one of the four young Liverpudlians who were conquering the world. Paul McCartney, Photographs 1963–64: Eyes of the Storm is on at the NPG from June 28 ...