There's no denying it: Bridget Riley's art has a physical effect on you. So much so that gallery attendants at Turner Contemporary in Margate for Bridget Riley: Learning to See have been advised to avert their eyes from the paintings regularly. Stand in front of those curves and waves, or the precise narrow brightly coloured vertical stripes that fill some works, and you may feel you are swaying. You become slightly dizzy or a little queasy, even perhaps a bit seasick; well, it can get pretty choppy out there on the North Sea, just beyond the gallery walls. Nothing too alarming or extreme, though; it's just a perception. When we went to see this Bridget Riley show w e knew what to expect, having been in July 2019 to the blockbuster exhibition at the Scottish National Gallery in Edinburgh that brought together half a century of pictures in a dazzling extravaganza of Op Art abstraction. It moved to the Hayward Gallery in...
The Pre-Raphaelites -- their lives, their loves and their art -- have a lasting attraction, and The Rossettis at Tate Britain has got the blockbuster feel to it, with 150 paintings and drawings. It is, surprisingly, the first ever retrospective of poet and painter Dante Gabriel at the Tate, and the biggest show of his work in two decades. It's also the largest show in 30 years of art by his wife and model Lizzie Siddal and will in addition cover the life of Romantic poet Christina Rossetti and Dante's relationships with his muses Fanny Cornforth and Jane Morris. An immersive experience is promised, including spoken poetry. It's on from April 6 to September 24. There'll be some beautiful art to look at, even if we can't escape the feeling we've trodden similar ground a couple of times recently, here and there . A very different experience will be on offer over at Tate Modern in the shape of Hilma af Klint & Piet Mondrian: Forms of Life . The Swede af Klint...