There's no denying it: Bridget Riley's art has a physical effect on you. So much so that gallery attendants at Turner Contemporary in Margate for Bridget Riley: Learning to See have been advised to avert their eyes from the paintings regularly. Stand in front of those curves and waves, or the precise narrow brightly coloured vertical stripes that fill some works, and you may feel you are swaying. You become slightly dizzy or a little queasy, even perhaps a bit seasick; well, it can get pretty choppy out there on the North Sea, just beyond the gallery walls. Nothing too alarming or extreme, though; it's just a perception. When we went to see this Bridget Riley show w e knew what to expect, having been in July 2019 to the blockbuster exhibition at the Scottish National Gallery in Edinburgh that brought together half a century of pictures in a dazzling extravaganza of Op Art abstraction. It moved to the Hayward Gallery in...
German women Expressionists at the Royal Academy in London: This may be the exhibition you've long been waiting for, or the one to make you run a mile. Making Modernism focuses on the often very vibrant work of Gabriele Münter and Marianne von Werefkin, the intense portraits and self-portraits of Paula Modersohn-Becker and the frequently harrowing prints and sculptures of Käthe Kollwitz. Most of the 65 works have never been shown in the UK before. It's on from November 12 to February 12. A free display at the National Gallery features two JMW Turner paintings on loan from the Frick Collection in New York of the harbours at Dieppe and Cologne that the artist made on his frequent travels round Europe. Turner on Tour runs from November 3 to February 19. Back at Tate Britain from November 24 to February 26 is Lynette Yiadom-Boakye: Fly in League with the Night , a show whose run in 2020 was curtailed by lockdown. Around 70 works are on show in a retrospective of a conte...