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Showing posts from September, 2022

New Exhibitions in November

It's surely an anniversary the Tate has long been counting down to: JMW Turner was born in 1775, John Constable in 1776. To mark the 250 years of two of the country's greatest painters, Turner and Constable  is on at Tate Britain from November 27 to April 12. Rivals with very different approaches to landscape painting, they were both hugely influential. More than 170 works are promised, with Turner's Burning of the Houses of Lords and Commons  and Constable's White Horse  coming home from the US for the show. Before those two were even born, Joseph Wright of Derby had already painted his most famous picture, An Experiment on a Bird in the Air Pump . It'll be part of Wright of Derby: From the Shadows   at the National Gallery from November 7 to May 10, which is intended to challenge the view of Wright as just a painter of light and shade and to illustrate how he used the night to explore deeper and more sombre themes. Only 20 or so works, however, making it a disappo...

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Opening and Closing in October

There are a tremendous number of exhibitions opening this month, starting in London with Paul Cezanne at Tate Modern. Cezanne's painting revolutionised art at the end of the 19th century, and the Tate is promising us a "once-in-a-generation" show, the first big retrospective in the UK for more than 25 years, with around 80 works, more than 20 of them never before seen in Britain. They include The Basket of Apples from the Chicago Institute of Art, where the previous version of this show earned rave reviews. Cezanne is on in London from October 5 to March 12.  It's certainly not once in a generation for an exhibition about Lucian Freud, but it is the 100th anniversary of his birth this year, and his seven-decade career is surveyed at the National Gallery. Lucian Freud: New Perspectives will have more than 60 paintings, from early, intimate works to his late monumental fleshy nudes. It runs from October 1 to January 22, before heading to the Thyssen-Bornemisza muse...

Venice in Peril, Part 2

You've just been to one exhibition about Canaletto and Venice, and then a second one comes along straight away, a bit like delayed vaporettos on the Grand Canal.  Canaletto's Venice Revisited at the National Maritime Museum in Greenwich contrasted the painter's classic views of the lagoon city with the threat it faces today from rising sea levels and mass tourism, and  Canaletto and Melissa McGill: Performance and Panorama  at the Lightbox in Woking takes a similar tack. But if Greenwich's display of statistics about population decline and increasing flooding and an array of disposable plastic boots for tourists left us rather depressed, we found something surprisingly soothing and uplifting about the American artist Melissa McGill's attempt to alert us to the same problems.  Back in 2019, McGill created the Red Regatta project, which saw dozens of traditional Venetian sailing boats hoisted with sails she had hand-painted in varying shades of red traversing the ci...