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Showing posts from July, 2022

Opening in March

We'll start off this month by going back to Tuscany in the early 14th century, to the beginnings of modern western European painting. Duccio and Simone Martini were among those in the city of Siena reinventing art. There are more than 100 exhibits in  Siena: The Rise of Painting, 1300-1350 , which runs from March 8 to June 22 at the National Gallery in London. The show was previously on at the Metropolitan Museum in New York, and reviews were generally very good. There's a second show opening later in the month at the National, and it's quite an exotic one, devoted to a 19th-century Mexican artist whose work has not been shown in Britain before.  José María Velasco: A View of Mexico , running from March 29 to August 17, features sweeping landscapes by a painter who was interested not only in the natural world but in the rapid modernisation of his country.  Just around the corner at the National Portrait Gallery, there's a rather more conventional draw:  Edvard Munch ...

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Opening and Closing in August

One of the most stunning objects in the recently ended World of Stonehenge exhibition at the British Museum was this exquisite Bronze Age golden sun pendant, uncovered in Shropshire only in 2018. The breathtaking piece is now embarking on a national tour , starting at the Royal Cornwall Museum in Truro from August 6 to November 5 and moving on to Lincoln, Sunderland and Stornoway over the course of the next 14 months.  August is generally a quiet period for exhibition openings, but there are two shows starting in Germany before the end of the month that are well worth highlighting. One is a treat for enthusiasts of German Expressionism: The Museum Folkwang is marking its 100th anniversary in Essen with a show examining the history of its extensive collection of Expressionist art -- very German but banned by the Nazis as degenerate. Expressionists at Folkwang features around 250 works, including loans from elsewhere, and runs from August 20 to January 8. It's only 40 minutes by tr...

Sickert: From Music Hall to Pop Pioneer

Walter Sickert -- the gloomiest, murkiest of English artists? We've definitely been a little too harsh.  There's certainly a fair bit of gloom and murk in the big Walter Sickert exhibition at Tate Britain, but there's a lot that's much lighter and full of entertainment. From Sickert's inventive music-hall scenes, this fascinating show takes you through luminous townscapes and on to a revelatory final room that shows the painter in his later years as an unwitting pre-war pioneer of Pop Art.  And let's hear it for the Tate for once; we've sometimes found the way they curate their exhibitions infuriating -- the Hogarth and Europe show this past winter was in thrall to political correctness -- but this one is beautifully and logically put together; a straightforward retrospective, and all the better for it.  The first two rooms of the eight in the exhibition look at Sickert's self-portraits and his apprenticeship years in the 1880s (his early stuff, under ...