There's no denying it: Bridget Riley's art has a physical effect on you. So much so that gallery attendants at Turner Contemporary in Margate for Bridget Riley: Learning to See have been advised to avert their eyes from the paintings regularly. Stand in front of those curves and waves, or the precise narrow brightly coloured vertical stripes that fill some works, and you may feel you are swaying. You become slightly dizzy or a little queasy, even perhaps a bit seasick; well, it can get pretty choppy out there on the North Sea, just beyond the gallery walls. Nothing too alarming or extreme, though; it's just a perception. When we went to see this Bridget Riley show w e knew what to expect, having been in July 2019 to the blockbuster exhibition at the Scottish National Gallery in Edinburgh that brought together half a century of pictures in a dazzling extravaganza of Op Art abstraction. It moved to the Hayward Gallery in...
The highest-profile opening in London this January? It might well be Francis Bacon: Man and Beast at the Royal Academy. Starting on January 29, this exhibition will focus on Bacon's fascination with animals, featuring pictures in which the boundaries between humans and animals are constantly blurred. Spanning his entire career, the show will include a trio of bullfight paintings never before exhibited together. If your New Year's resolution is to go vegetarian, this one may be a bit on the fleshy side. Until April 17. For something perhaps a bit less unsettling, head to Room 1 at the National Gallery to see Gainsborough's Blue Boy . Thomas Gainsborough's full-length canvas of a child was exhibited at the National for three weeks in 1922 before sailing across the Atlantic to the Huntington Library in California. It's a painting that's long had a hold on the imagination; it's been frequently referenced in Hollywood movies, and now it's being loaned out b...