Summer's long gone now.... gone and just a memory Curling up in front of the fire with a good book, bingeing on a TV series box set or heading south is how you might normally try to get through the northern winter, but this year you could just go to Stockholm to dispel the chill. Yes, Stockholm, the capital of Sweden, because there you can immerse yourself in the delights of the long summer days on display in To the Sea! The Beach as Borderland and Summer Dream at the Nationalmuseum. Really, those Scandinavian coastlines are so tempting: What could be more attractive than A Stroll on the Beach at Skagen, at the very northern tip of Denmark? Here are five ladies enjoying Skagen's almost endless strand and endless skies, as painted by Michael Ancher (husband of Anna ) in 1896. Luckily those hemlines were just off the ground, so as not to get dirty on the sand. This very wide-ranging exhibition in Stockholm explores the growth of seaside tourism in Europe an...
It's a beguiling, entrancing landscape, yet somehow also very reassuring. The year is 1918, and John Nash is back in England after many months of service on the Western Front in World War I, one of the few survivors from his company. While working by day on paintings to commemorate the conflict as an official war artist, in the evening he's able to leave the memories of the slaughter behind to work for himself, on pictures that purged the horror of the trenches. This is The Cornfield , and it's probably the stand-out painting in a really outstanding exhibition at Towner Eastbourne, John Nash: The Landscapes of Love and Solace , the first retrospective devoted to the life and work of the artist, the less well-known younger brother of Paul Nash, in more than half a century. You can see in this painting a fascination with shapes, patterns and shadows that characterises the best of Nash's landscapes: the angular forms of the row of corn sheaves, their edges highlighted by t...