There's no denying it: Bridget Riley's art has a physical effect on you. So much so that gallery attendants at Turner Contemporary in Margate for Bridget Riley: Learning to See have been advised to avert their eyes from the paintings regularly. Stand in front of those curves and waves, or the precise narrow brightly coloured vertical stripes that fill some works, and you may feel you are swaying. You become slightly dizzy or a little queasy, even perhaps a bit seasick; well, it can get pretty choppy out there on the North Sea, just beyond the gallery walls. Nothing too alarming or extreme, though; it's just a perception. When we went to see this Bridget Riley show w e knew what to expect, having been in July 2019 to the blockbuster exhibition at the Scottish National Gallery in Edinburgh that brought together half a century of pictures in a dazzling extravaganza of Op Art abstraction. It moved to the Hayward Gallery in...
Swiss-born Sophie Taeuber-Arp (1889-1943) was one of the leading abstract artists and designers of the early 20th century, working across a wide range of media from textiles through puppetry and painting, but she's never had a retrospective in the UK. That changes on July 15, when Tate Modern in London opens an exhibition that brings together her most important works from across Europe and the US, many of which have not been on display in Britain before. The show comes direct from the Kunstmuseum in Basel and is at the Tate until October 17, after which it moves on to MoMA in New York. If you're looking for something more cuddly than Germanic abstraction, you should head to the British Library for Paddington: The Story of a Bear , a family-friendly exhibition uncovering the inspiration behind the star of Michael Bond's classic children's books. There are first editions and original artwork for the grown-ups, and a marmalade trail to follow for the younger visitors. F...