No one before had ever painted horses like George Stubbs. Not only did they look incredibly lifelike, he seemed able to capture their individual character -- a talent that ensured he could command extremely high prices for his work from wealthy and influential patrons. There's now a rare chance to appreciate the only one of the painter's outstanding lifesize equine canvases still in private hands in a small free exhibition, Stubbs: Portrait of a Horse , in Room 1 at the National Gallery in London. This is Scrub, eight times a race winner, who like the gallery's Whistlejacket belonged to one of those rich patrons, the Marquess of Rockingham, and he commissioned both pictures in about 1762. Scrub, again like Whistlejacket, was depicted not just as a racehorse, under the control of a jockey or stable boy, but in a grand manner, intended to serve as the steed in an equine portrait of George III, who had recently come to the throne. Other specialist painters would be u...
Swiss-born Sophie Taeuber-Arp (1889-1943) was one of the leading abstract artists and designers of the early 20th century, working across a wide range of media from textiles through puppetry and painting, but she's never had a retrospective in the UK. That changes on July 15, when Tate Modern in London opens an exhibition that brings together her most important works from across Europe and the US, many of which have not been on display in Britain before. The show comes direct from the Kunstmuseum in Basel and is at the Tate until October 17, after which it moves on to MoMA in New York. If you're looking for something more cuddly than Germanic abstraction, you should head to the British Library for Paddington: The Story of a Bear , a family-friendly exhibition uncovering the inspiration behind the star of Michael Bond's classic children's books. There are first editions and original artwork for the grown-ups, and a marmalade trail to follow for the younger visitors. F...