The White Cliffs of Dover, Beachy Head and the Seven Sisters, the Needles and Durdle Door -- the southern English coastline has plenty of spectacular chalk and limestone features, but just across the Channel the French have got something equally if not more stunning: the chalk cliffs at Etretat. Surrounding the bay of what was once a small fishing village, three natural arches and a 70-metre freestanding needle of chalk are a breathtaking sight (we were there a couple of years ago), and they're now a huge tourist attraction. But even before the tourists got there, some of the most famous names in French art had discovered a motif of which they rarely tired; as Normandy Tourism puts it: "Nature has carved unusual shapes out of the white cliffs in Etretat, and as a result, this picturesque spot attracted many Impressionist painters, who sought to capture the cliffs on canvas." Etretat, Beyond the Cliffs: Courbet, Monet, Matisse is devoted to those depictions of the white...
There's been a spate of exhibitions over the past few years aimed at redressing centuries of neglect of the work of women artists, and the Italian Baroque painter Artemisia Gentileschi is the latest to come into focus, at the National Gallery in London, starting on October 3. Most of the works have never been seen in Britain before, and they cover a lengthy career that features strong female figures in Biblical and classical scenes, as well as self-portraits. Until January 24. Also starting at the National on October 7 is a free exhibition that looks at Sin , as depicted by artists from Diego Velázquez and William Hogarth through to Tracey Emin, blurring the boundaries between the religious and the secular. This one runs until January 3. Tate Britain shows this winter how JMW Turner embraced the rapid industrial and technological advances at the start of the 19th century and recorded them in his work. Turner's Modern World , starting on October 28, will inclu...