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Showing posts from August, 2020

Through the Eyes of Félix Vallotton

An exhibition devoted to one artist can be very satisfying: not only do you get to know them and what made them tick, how they developed and changed, but often you also have a history lesson. And all the pictures too. We've been to just such a solo show in Switzerland, and just like Swiss trains, it all worked beautifully. The artist: Félix Vallotton.  Vallotton Forever: The Retrospective at the Musée cantonal des Beaux-Arts in Lausanne, the city of his birth in 1865, is the culmination of a year of Swiss events to mark the 100th anniversary of his death in 1925. It's an absolutely massive show, bringing together about 250 works from public and private collections. But Vallotton's output was so varied, exploring so many different artistic avenues, that it's a constant voyage of discovery.  So where to start? Perhaps in the mid-1890s, when Vallotton, who'd moved to the bright lights of Paris when he was just 16, joined the Nabis , the group of Post-Impressionists ar...

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Opening in September

We're going to start our September preview in Paris, where an absolute stunner of an exhibition is set to open belatedly at the Petit Palais: The Golden Age of Danish Painting . That Golden Age lasted for just over 60 years from the start of the 19th century when artists such as Christen Købke expressed a growing national pride in works of precision and clarity tinged with romanticism. We got to see this fabulous show early last year at the National Museum in Stockholm. It's on in Paris from September 22 to January 3, and if you get the chance to go, don't hesitate. A few minutes walk away, at the Musée de l'Orangerie,  Giorgio de Chirico: Metaphysical Painting opens on September 16. De Chirico's enigmatic art from the first two decades of the 20th century draws on the German Romantics and prefigures the Surrealists. After it closes on December 14 it will transfer to the Kunsthalle in Hamburg early next year. If you head down the Seine from Paris to the Musé...

The Artist Who Was Everywhere

If you lived in Britain, particularly in London, during the middle of the 20th century, Barnett Freedman was all around you. As the go-to commercial artist during a period spanning the 30s to the 50s, his work was all over the Tube and London buses, on advertising, stamps and book tokens, as well as adorning the covers of collectable books and providing their illustrations. It's a career that's celebrated, more than six decades after Freedman's death, in a hugely enjoyable exhibition, Barnett Freedman: Designs for Modern Britain , at the Pallant House Gallery in Chichester, which has just reopened after months of coronavirus-induced closure. The Pallant is our local art gallery, and its director, Simon Martin, said he didn't want to "sanitise the experience" of museum-going on reopening. So, while visitor numbers are limited and timed tickets are compulsory, we were pleased that once you got inside, there's actually very little that you would notice tha...