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Showing posts from August, 2020

It's Impressionism, Just Not as We Know It

There's not a haystack, waterlily or cliff-face to be seen; you won't be gazing into the box at the theatre or contemplating steaming locomotives in the station, because we're not looking at the French Impressionists for a change; we've crossed the Rhine (literally; we flew into Strasbourg and took the train) to explore  Impressionism in Germany: Max Liebermann and his Times  at the Museum Frieder Burda in Baden-Baden.  Yes, there are Caillebotte-like yachts and Renoir-style children, intimate interiors and cityscapes -- similar themes, though the treatment is often quite different -- but then there are also actors on the stage, Bible stories and views of orphanages, subjects the French never really tackled. Oh, and beer gardens. The three big names in this show are Max Slevogt, Lovis Corinth and above all Max Liebermann, the doyen of the German Impressionist movement. And a man with a passion for horticulture; Liebermann's garden on the outskirts of Berlin is as im...

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Opening in September

We're going to start our September preview in Paris, where an absolute stunner of an exhibition is set to open belatedly at the Petit Palais: The Golden Age of Danish Painting . That Golden Age lasted for just over 60 years from the start of the 19th century when artists such as Christen Købke expressed a growing national pride in works of precision and clarity tinged with romanticism. We got to see this fabulous show early last year at the National Museum in Stockholm. It's on in Paris from September 22 to January 3, and if you get the chance to go, don't hesitate. A few minutes walk away, at the Musée de l'Orangerie,  Giorgio de Chirico: Metaphysical Painting opens on September 16. De Chirico's enigmatic art from the first two decades of the 20th century draws on the German Romantics and prefigures the Surrealists. After it closes on December 14 it will transfer to the Kunsthalle in Hamburg early next year. If you head down the Seine from Paris to the Musé...

The Artist Who Was Everywhere

If you lived in Britain, particularly in London, during the middle of the 20th century, Barnett Freedman was all around you. As the go-to commercial artist during a period spanning the 30s to the 50s, his work was all over the Tube and London buses, on advertising, stamps and book tokens, as well as adorning the covers of collectable books and providing their illustrations. It's a career that's celebrated, more than six decades after Freedman's death, in a hugely enjoyable exhibition, Barnett Freedman: Designs for Modern Britain , at the Pallant House Gallery in Chichester, which has just reopened after months of coronavirus-induced closure. The Pallant is our local art gallery, and its director, Simon Martin, said he didn't want to "sanitise the experience" of museum-going on reopening. So, while visitor numbers are limited and timed tickets are compulsory, we were pleased that once you got inside, there's actually very little that you would notice tha...