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Showing posts from August, 2020

A Swede at Home and Abroad

It might seem a bit odd travelling to Madrid to see an exhibition by a Scandinavian artist.... but the Swede Anders Zorn made the journey to Spain nine times in his career. He wasn't a painter we'd been familiar with, the Swedes lagging some way behind their Nordic neighbours in our art explorations; we'd been intrigued by the idea of seeing a retrospective of his work in Hamburg late last year but didn't make it, so we seized the chance to view the same show at the Mapfre Foundation in Madrid under the title  Anders Zorn: Travelling the World, Remembering the Land . Zorn, who lived from 1860 to 1920, was a big name in his day, and it's easy to appreciate why from this exhibition. He had fantastic technique and worked in a broad range of genres, famed particularly for his portraiture. But he's quite difficult to pigeonhole, and as for some of his early subject matter, it really is rather sickly sweet.    As the exhibition title spells out, Zorn explored the worl...

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Opening in September

We're going to start our September preview in Paris, where an absolute stunner of an exhibition is set to open belatedly at the Petit Palais: The Golden Age of Danish Painting . That Golden Age lasted for just over 60 years from the start of the 19th century when artists such as Christen Købke expressed a growing national pride in works of precision and clarity tinged with romanticism. We got to see this fabulous show early last year at the National Museum in Stockholm. It's on in Paris from September 22 to January 3, and if you get the chance to go, don't hesitate. A few minutes walk away, at the Musée de l'Orangerie,  Giorgio de Chirico: Metaphysical Painting opens on September 16. De Chirico's enigmatic art from the first two decades of the 20th century draws on the German Romantics and prefigures the Surrealists. After it closes on December 14 it will transfer to the Kunsthalle in Hamburg early next year. If you head down the Seine from Paris to the Musé...

The Artist Who Was Everywhere

If you lived in Britain, particularly in London, during the middle of the 20th century, Barnett Freedman was all around you. As the go-to commercial artist during a period spanning the 30s to the 50s, his work was all over the Tube and London buses, on advertising, stamps and book tokens, as well as adorning the covers of collectable books and providing their illustrations. It's a career that's celebrated, more than six decades after Freedman's death, in a hugely enjoyable exhibition, Barnett Freedman: Designs for Modern Britain , at the Pallant House Gallery in Chichester, which has just reopened after months of coronavirus-induced closure. The Pallant is our local art gallery, and its director, Simon Martin, said he didn't want to "sanitise the experience" of museum-going on reopening. So, while visitor numbers are limited and timed tickets are compulsory, we were pleased that once you got inside, there's actually very little that you would notice tha...