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Showing posts from August, 2020

Opening in March

We'll start off this month by going back to Tuscany in the early 14th century, to the beginnings of modern western European painting. Duccio and Simone Martini were among those in the city of Siena reinventing art. There are more than 100 exhibits in  Siena: The Rise of Painting, 1300-1350 , which runs from March 8 to June 22 at the National Gallery in London. The show was previously on at the Metropolitan Museum in New York, and reviews were generally very good. There's a second show opening later in the month at the National, and it's quite an exotic one, devoted to a 19th-century Mexican artist whose work has not been shown in Britain before.  José María Velasco: A View of Mexico , running from March 29 to August 17, features sweeping landscapes by a painter who was interested not only in the natural world but in the rapid modernisation of his country.  Just around the corner at the National Portrait Gallery, there's a rather more conventional draw:  Edvard Munch ...

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Opening in September

We're going to start our September preview in Paris, where an absolute stunner of an exhibition is set to open belatedly at the Petit Palais: The Golden Age of Danish Painting . That Golden Age lasted for just over 60 years from the start of the 19th century when artists such as Christen Købke expressed a growing national pride in works of precision and clarity tinged with romanticism. We got to see this fabulous show early last year at the National Museum in Stockholm. It's on in Paris from September 22 to January 3, and if you get the chance to go, don't hesitate. A few minutes walk away, at the Musée de l'Orangerie,  Giorgio de Chirico: Metaphysical Painting opens on September 16. De Chirico's enigmatic art from the first two decades of the 20th century draws on the German Romantics and prefigures the Surrealists. After it closes on December 14 it will transfer to the Kunsthalle in Hamburg early next year. If you head down the Seine from Paris to the Musé...

The Artist Who Was Everywhere

If you lived in Britain, particularly in London, during the middle of the 20th century, Barnett Freedman was all around you. As the go-to commercial artist during a period spanning the 30s to the 50s, his work was all over the Tube and London buses, on advertising, stamps and book tokens, as well as adorning the covers of collectable books and providing their illustrations. It's a career that's celebrated, more than six decades after Freedman's death, in a hugely enjoyable exhibition, Barnett Freedman: Designs for Modern Britain , at the Pallant House Gallery in Chichester, which has just reopened after months of coronavirus-induced closure. The Pallant is our local art gallery, and its director, Simon Martin, said he didn't want to "sanitise the experience" of museum-going on reopening. So, while visitor numbers are limited and timed tickets are compulsory, we were pleased that once you got inside, there's actually very little that you would notice tha...