There's much to admire about Suzanne Valadon, a very individual, hard-to-categorise painter who truly blazed a trail for women artists in the first half of the 20th century. But could you live with her brutal, unrelenting works on your wall? One of the pictures that first greets you in the Suzanne Valadon retrospective at the Pompidou Centre in Paris is this one -- The Blue Room -- and it certainly slaps you in the face. Valadon takes the tradition of the odalisque and turns it on its head. You've seen those nude women stretched out on a couch painted by men -- by Titian , by Goya , by Ingres and by Manet , but what about Valadon's version? It's not erotic, by any means. Her model is a bit more solidly built than most, and she's wearing a pair of stripy pyjama bottoms. Fag in mouth, she's also got a yellow paperback novel on the go. Could you imagine a man painting this in the early part of the 20th century? Could you imagine an English woman artist like L...
British Baroque: Power and Illusion is the title of the new exhibition at Tate Britain in London, devoted to the period between the restoration of Charles II to the throne in 1660 and the death of Queen Anne in 1714 and focusing on the magnificence of the art and architecture of the time -- by names such as Peter Lely, Godfrey Kneller and James Thornhill -- to convey status and influence. Many works, some from stately homes, will be on public display for the first time in this show running from February 4 to April 19. And artworks from one very stately home, Woburn Abbey , which is being refurbished, will be going on show for almost a year at the Queen's House in Greenwich. Van Dyck, Gainsborough, Reynolds and Canaletto are all represented in Woburn Treasures at the Queen's House , which runs from February 13 to January 17, 2021. Also at the Queen's House, from February 13 to August 31, the three versions of the Armada portrait of Elizabeth I, one of them from Woburn, w...