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Showing posts from September, 2018

New Exhibitions in March

She was a highly successful artist in 17th-century Brussels, creating the sort of paintings you might have seen from Rubens or Van Dyck, but then she vanished from art history. It's only very recently she's been rescued from obscurity, her pictures rightfully reattributed.  Michaelina Wautier  comes to the Royal Academy in London on March 27 from the Kunsthistorisches Museum in Vienna, offering the first opportunity to encounter her work on a large scale. On till June 21.  And while we're on the theme of new discoveries, we've made quite a few at the Dulwich Picture Gallery down the years. The latest arrival there is a completely unknown name to us, from the Baltic:  Konrad Mägi  (1878-1925), described as a pioneer of Estonian modernism. More than 60 of his works are being shown in the UK for the first time in an exhibition that runs from March 24 to July 12.  No introduction is needed for David Hockney, and he's taking over the Serpentine Gallery on March ...

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Now or Never: Opening in October

October sees the start of a series of exhibitions that promise to be exceptional, bringing together works of art that may never again be viewable in the same place at the same time. Museums and galleries across Europe aren't stinting on the superlatives. Two of the greatest artists of the Italian Renaissance come together at London's National Gallery for a show its director describes as "unprecedented and probably unrepeatable". Andrea Mantegna and Giovanni Bellini were brothers-in-law, and Mantegna's compositional innovations and Bellini's natural landscapes play a pivotal role in art history. With pictures loaned from around Europe and beyond, it runs from October 1 to January 27. Mantegna inspired Edward  Burne-Jones ,   and Tate Britain is giving   the late Pre-Raphaelite  his first major retrospective in London for more than 40 years. Over 150 works aim to show how Burne-Jones developed into one of the leading European, and not just British, artists...

Come to the Cabaret: Magic Realism at Tate Modern

The Weimar Republic: Germany in the 1920s. Berlin's clubs and cabarets are teeming with life amid a remarkable cultural upsurge that sees the birth of the Bauhaus and masterpieces in the new medium of film like Metropolis and The Blue Angel . But as the nation struggles to pay reparations for World War I, hyperinflation renders millions penniless and violent extremism stalks a splintered democratic system, paving the way for the Nazis to seize power in 1933. This, then, is the backdrop to Magic Realism: Art in Weimar Germany 1919-33  at Tate Modern in London. Drawn largely from the George Economou Collection in Athens, this is a sweep through a swathe of German figurative painting and graphic works, featuring big names like Otto Dix and George Grosz but also plenty of artists you may scarcely have heard of. If you've seen Aftermath , the show at Tate Britain about British, French and German art in the wake of World War I, this exhibition will take you deeper into some of t...