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Showing posts from May, 2018

Opening and Closing in January

Let's kick off the New Year with something a bit out of the ordinary: Brasil! Brasil! The Birth of Modernism at London's Royal Academy. This show features more than 130 works by 10 key 20th-century Brazilian artists, and most of them have never been on show in the UK before, providing a chance to look at modern art in a way that breaks from the European and North American perspective we're so used to. On from January 28 to April 21.   There are more familiar names at Bath's Holburne Museum: Francis Bacon, Peter Blake, Gerhard Richter and Andy Warhol among them. Iconic: Portraiture from Bacon to Warhol  focuses on the middle of the 20th century when many artists began to use photographs as sources for their paintings. The exhibition runs from January 24 to May 5.  From January 22, the Louvre in Paris offers the chance to take  A New Look at Cimabue: At the Origins of Italian Painting . Cimabue, one of the most important artists of the 13th century, was among the...
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Opening in June

The Royal Academy's Summer Exhibition  this year is a little bit special: It's the 250th, and Grayson Perry heads the committee that's picked the 1,200 or so art works on show from June 12 to August 19. Concurrently, the RA is putting on The Great Spectacle: 250 Years of the Summer Exhibition telling the story from Joshua Reynolds to the present day. There are two linked shows at the National Gallery as well, running from June 11 to October 7. Thomas Cole: Eden to Empire  is the first exhibition in the UK devoted to the British-born American landscape artist inspired by Turner and Constable (tickets can be had for less than £10 on weekdays, so the National is clearly not expecting Monet-size crowds.) At the same time, there's a free display with Ed Ruscha 's modern take on Thomas Cole's work in Room 1. Tate Britain marks the centenary of the end of World War I by examining the immediate impact on British, French and German art.  Aftermath , running from ...
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Monet -- Battle the Crowds to Get to Rouen Cathedral

There's no getting away from it: Monet & Architecture at London's National Gallery is a crowded exhibition. The first couple of rooms in particular are a bit of a slog as you try to manoeuvre your way along what is essentially a queue of people looking at the earliest (and to be honest, largely least interesting) of the 70-odd works. But stick with it: You'll eventually come to Rouen Cathedral and to Venice, and thankfully, and rather surprisingly, there's less of a crush to view the momentous art capturing gradations of light and weather on magnificent buildings that you've probably really come to see. It's often a bit of a problem with the National Gallery's subterranean Sainsbury Wing exhibition space: Some of the rooms are quite small, and here they're fairly densely hung, at least initially. This show, the gallery says, presents a new way of looking at Monet's art, demonstrating how he used architecture to create his compositions. It ma...
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