The Art Exhibitions Blog

Right at the northern tip of Denmark, where two seas meet under endless skies: Skagen, a fishing village that developed into a late 19th-century artists' colony. One of those artists was actually from Skagen; her parents ran Brøndum's Hotel in the village. Anna Brøndum went on to become Denmark's most famous woman painter: Anna Ancher.  You won't find any paintings by her in any public collection in Britain (we know, we've used that line before when writing about several other artists), and, rather oddly, she doesn't even get a mention in Katy Hessel's  The Story of Art without Men . The illumination you need is provided at the Dulwich Picture Gallery in south-east London, in  Anna Ancher: Painting Light . She had a way with light, coming in through windows and casting shadows on walls, reflecting on the sea, breaking through the trees in her garden. These are generally very intimate, understated pictures, yet sometimes quite breathtaking.   Virtually all th...

It's surely an anniversary the Tate has long been counting down to: JMW Turner was born in 1775, John Constable in 1776. To mark the 250 years of two of the country's greatest painters, Turner and Constable  is on at Tate Britain from November 27 to April 12. Rivals with very different approaches to landscape painting, they were both hugely influential. More than 170 works are promised, with Turner's Burning of the Houses of Lords and Commons  and Constable's White Horse  coming home from the US for the show. Before those two were even born, Joseph Wright of Derby had already painted his most famous picture, An Experiment on a Bird in the Air Pump . It'll be part of Wright of Derby: From the Shadows   at the National Gallery from November 7 to May 10, which is intended to challenge the view of Wright as just a painter of light and shade and to illustrate how he used the night to explore deeper and more sombre themes. Only 20 or so works, however, making it a disappo...

There's not a haystack, waterlily or cliff-face to be seen; you won't be gazing into the box at the theatre or contemplating steaming locomotives in the station, because we're not looking at the French Impressionists for a change; we've crossed the Rhine (literally; we flew into Strasbourg and took the train) to explore  Impressionism in Germany: Max Liebermann and his Times  at the Museum Frieder Burda in Baden-Baden.  Yes, there are Caillebotte-like yachts and Renoir-style children, intimate interiors and cityscapes -- similar themes, though the treatment is often quite different -- but then there are also actors on the stage, Bible stories and views of orphanages, subjects the French never really tackled. Oh, and beer gardens. The three big names in this show are Max Slevogt, Lovis Corinth and above all Max Liebermann, the doyen of the German Impressionist movement. And a man with a passion for horticulture; Liebermann's garden on the outskirts of Berlin is as im...

Georges Seurat was on to something when he moved on from Impressionism to develop the radically different painting technique popularly known as Pointillism. He and his followers applied unmixed dots of pure colour to their canvases, separate little spots of paint that, the theory went, would come together in the eye of the viewer to create glowing, luminous pictures.  Seurat died young, and Pointillism didn't really hang around for very long either. But it produced some gorgeous art, and 50 or so of its finest creations are gathered at the National Gallery in London in  Radical Harmony: Helene Kröller-Müller's Neo-Impressionists . It's a glorious, light-filled, uplifting exhibition, and the most enjoyable show we've been to all year. "Art is harmony," Seurat said, and it's hard to argue with that in this show. These pictures are Helene Kröller-Müller's Neo-Impressionists, by the way, because more than half of them come from the Kröller-Müller Museum i...

We've got rather more modern and contemporary art than usual in our preview this month, starting with the first ever museum show in the UK of Wayne Thiebaud, the US artist who died in 2021 at the age of 101. Thiebaud made his name in the 1960s painting quintessentially American subjects -- pinball machines, hot dogs, deli counters and cakes -- in vibrant colours.  Wayne Thiebaud: American Still Life  is on at London's Courtauld Gallery from October 10 to January 18.  Those sweet treats should provide enough sustenance for the short walk across Waterloo Bridge to the Hayward Gallery for  Gilbert & George: 21st-Century Pictures . This show highlights work the besuited pair have created since the start of the millennium, tackling themes such as sex, corruption, religion and death. On from October 7 to January 11, and it's perhaps one to miss if you're likely to be easily offended.  A rather different experience awaits at the British Library, in the form of...

It is a once-in-a-lifetime experience: the chance to see one of the greatest -- and most fragile -- works of European art before your very eyes. The illustrated manuscript known as the  Très Riches Heures du Duc de Berry contains images that have shaped our view of the late Middle Ages, but it's normally kept under lock and key at the Château de Chantilly, north of Paris. It's only been exhibited twice in the past century. Now newly restored, the glowing pages of  Les Très Riches Heures du Duc de Berry are on show to the public for just a few months. "Approche, approche," the Duke of Berry's usher tells the visitors to the great man's table for the feast that will mark the start of the New Year. It's also your invitation to examine closely the illustration for January, one of the 12 months from the calendar in this Book of Hours -- a collection of prayers and other religious texts -- that form the centrepiece of this exhibition in Chantilly.  It's su...